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Jazz Articles about Nat Birchall
About Nat Birchall
Instrument: Saxophone, tenor
Related Articles | Concerts | Albums | Photos | Similar ToNat Birchall: Ancient Africa
by Chris May
Tucked away in the rural north of England, and so doubly off the media radar, tenor saxophonist Nat Birchall is one of Britain's best kept secrets. His specialism is the strand of spiritual jazz pioneered by John Coltrane in the mid 1960s. Since the turn of the millennium, Birchall has released a string of albums ringing that bell with increasing resonance. For a few years either side of 2010, Birchall was also part of trumpeter Matthew Halsall's fellow-travelling ...
read moreNat Birchall Sextet: Exaltation / Live In Athens Vol 1
by Chris May
The saxophonist Nat Birchall is, alongside his friend the trumpeter Matthew Halsall, one of the instigators of the spiritual jazz scene centred around the northern British city of Manchester, two hundred miles and a lifestyle north of London. Birchall self-released his debut album, The Sixth Sense, in 1999. John Coltrane, Yusef Lateef, Pharoah Sanders and Alice Coltrane were among his formative influences and his music continues along the trajectory they mapped out. Birchall last recorded with his ...
read moreNat Birchall: The Storyteller: A Musical Tribute To Yusef Lateef
by Chris May
The deification of Yusef Lateef, which began only after his passing in 2013, rests on the first decade of his long recording career, from 1957—1967, when he extended the language of jazz to include elements of Asian and Middle Eastern musics while recording for Savoy, Prestige and Impulse. After a second decade with Atlantic, where he recorded ten stonkingly good soul-jazz albums, Lateef took up with Creed Taylor's CTI and began a sad decline into noodling wallpaper music. This period ...
read moreNat Birchall: Obeah Man
by Chris May
Welcome to the latest analog-era time warp... the vinyl revival has rebirthed the 45rpm seven-inch jazz single. The format faded away in the 1960s. Even back then, chart hits such as Stan Getz's “Desafinado" (Verve, 1962) were freak events, but before the coming of album playing FM radio stations, an edited version of an album track could be powerful promo on mainstream radio--and as Bob Weinstock, founder of the Prestige label, told an interviewer in 1959, “The four best promo ...
read moreNat Birchall: Cosmic Language
by Chris May
Spiritual jazz resonates most deeply during times of social stress and turmoil. It was, after all, created by African American musicians who were engaged with the civil rights movement in the 1960s. Later given the alternative description Afrofuturist jazz, the music had one foot planted in science fiction-inspired magical realism and the other in black consciousness-inspired social activism. The balance varied from musician to musician, but even the most magical realist among them--a grouping which would include Alice Coltrane, Pharoah ...
read moreNat Birchall: Creation
by Phil Barnes
Coming less than a year after the 2015 release Invocations on Henley's Jazzman records, Creation finds Nat Birchall back on his own Sound Soul and Spirit label. Long term collaborator Adam Fairhall on piano, and Johnny Hunter on drums are retained from that record and we welcome back Andy Hay as a second drummer, last heard on 2011's 'Sacred Dimension' as well as saying hello to new boy Michael Bardon on bass. Whether influenced by the line-up changes ...
read moreNat Birchall: Invocations
by Phil Barnes
There is a feeling of a new beginning on this collection from Nat Birchall. Superficially the album is released on Henley-on-Thames' Jazzman records rather than Birchall's own Sound Soul and Spirit records, on which he released the wonderful World Without Form and classic Live in Larissa. More tangibly only Adam Fairhall on piano remains from those two collections, representing the last common link to the pool of musicians Birchall and Matthew Halsall drew from in their classic collaborations on Gondwana ...
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