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Jazz Articles about Nasheet Waits
Shabaka Hutchings: Perceive Its Beauty, Acknowledge Its Grace
by Chris May
Ch-ch-ch-ch-changes ... Since signing with with Impulse! in 2018, Shabaka Hutchings has become best known for his incendiary work on tenor saxophone with Sons Of Kemet, The Comet Is Coming and Shabaka & The Ancestors. Perceive Its Beauty, Acknowledge Its Grace marks the start of a gentler, more instrospective phase in his music making. The trigger came during the pandemic, when Hutchings fell in love with the Japanese shakuhachi flute. The quietly spoken instrument first edged itself ...
read moreMichelle Lordi: Two Moons
by Geno Thackara
The art of the jazz diva does not shy away from the dark and mysterious. From putting a spell on somebody to helplessly falling under that old black magic, the tradition always seems to include some small touch of witchery, and Michelle Lordi, for her part, does not let a modern-day sound obscure those roots. The mood of Two Moons sits somewhere between a late-night set in a small jazz club and a round of spooky stories around the campfire. ...
read moreNasheet Waits, Ethan Iverson, Kenny Burrell & Jay McShann
by Joe Dimino
From a modern star in the jazz world, we begin the 840th Episode of Neon Jazz with Nasheet Waits and the tune Snake Hip Waltz from his impressive catalog of music. From there, we hear his father Freddie Waits teamed with Kenny Barron. We also get tasty new music from the likes of David Gibson, Ethan Iverson, Bennett Paster and Neal Caine. In between, we hear classics from Jay McShann, Tadd Dameron and Art Taylor. We bring it all to ...
read moreJason Moran: From the Dancehall to the Battlefield
by Neri Pollastri
Uscito il primo gennaio 2023 su Bandcamp, questo album di Jason Moran, per il suo concept, per la varietà e la ricchezza, per il modo in cui fonde radici storiche e modernità è probabilmente da considerare il disco dell'anno. Il suggestivo titolo From the Dancehall to the Battlefield sintetizza la storia del mitico musicista a cui è dedicato: James Reese Europe, compositore, arrangiatore e direttore d'orchestra nero, nato a Mobile, in Alabama, nel 1881, e trasferitosi prima a ...
read moreGregory Lewis: Organ Monk Going Home
by Jack Bowers
Imagine Thelonious Monk playing not piano but organ. Not easy to visualize, but that is the concept Gregory Lewis wishes to present on Organ Monk Going Home, the “home" in this instance exemplifying not a physical space where one goes to rest and refresh the soul but a metaphorical creation of the mind whose images are wide and dimensions unlimited. Lewis has spent much of his career reshaping Monk's unorthodox pianistic ideas for the organ, a pursuit ...
read moreJeff Parker / Eric Revis / Nasheet Waits: Eastside Romp
by John Sharpe
Though best known as an experimental guitarist in the likes of Tortoise, Isotope 217 and the Chicago Underground Trio, on Eastside Romp Jeff Parker hews closer to his jazz roots in a co-operative trio completed by bassist Eric Revis and drummer Nasheet Waits. Each a leader, Parker's bandmates possess similarly expansive resumés, making their somewhat introspective group focus here a surprise. On a program of five originals from across the band, one cover and one improv, they combine in the ...
read moreOrgan Monk: Uwo In the Black
by Howard Mandel
Organ Monk is the inspired--some might say “mad"--project of Brooklyn-based keyboardist Greg Lewis to play the unique compositions of Thelonious Monk as they've never been played before. Lewis throws down Monk's memorable turns of melody and digs into his harmonic insights, mostly at groovin' rhythms, on the Hammond C 3 organ. It's tempting to say Lewis' style on that inimitable instrument is “all stops out"--because he's more than mastered the complex multi-manual and foot-pedaled contraption. He's become an exciting innovator ...
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