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Matt Olson: 789 Miles
by Mark Sullivan
Wisconsin-born tenor saxophonist/composer Matt Olson has traveled 789 miles from his childhood home to his current home in South Carolina, where he teaches at Furman University. His original compositions here aim to capture influences from his upbringing, but the present is well-represented by compositions from five Furman University students (graduates and current students). The format is a tight, funky organ trio with two of Olson's band mates in the Unhinged Sextet, last heard from on Don't Blink (OA2 Records, 2017): ...
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by David A. Orthmann
One of the most interesting things about tenor saxophonist Matt Olson's 789 Miles is something it lacks: An anxious, overriding eagerness to impress or knock the listener out at every turn. Instead, the record virtually looks you in the eye, shakes your hand, and then cordially invites you along for the ride. Olson, Hammond B-3 organist Mike Kocour and drummer Dom Moio, who comprise one-half of the notable collaborative ensemble, Unhinged Sextet, are middle-aged jazzmen whose artistry and craft runs ...
read moreMichael Kocour: East Of The Sun
by Jack Bowers
Here's another well-planned and immaculately recorded solo album by pianist Michael Kocour, his second such enterprise for OA2 Records (the first, Wherever You Go, There You Are, was released in 2015). As its title suggests, East of the Sun consists almost entirely of gems from the Great American Songbook with one zircon (guitarist Don Gibson's I Can't Stop Loving You," a signature song for the late Ray Charles) thrown in at the end for a diverting change of pace.
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by Mark Sullivan
Pianist Michael Kocour--a longtime member of the Chicago jazz community, now on the faculty of Arizona State University--presents his third solo piano album. His previous solo album Wherever You Go, There You Are (OA2 Records, 2015) was a mix of originals, jazz and popular standards, even including a few electric piano tracks. This one (which Kocour describes as the most traditional" of his solo piano albums) is entirely devoted to standards, mostly from the 1920s and 1930s. The ...
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by David A. Orthmann
Michael Kocour's solo piano recital is comprised of great American songs, most of which were popular in the early-to-mid twentieth century. There's nothing dated or anachronistic about the ways in which he handles the material. Throughout the record's ten tracks, Kocour establishes a state of equilibrium between a fealty to traditional song forms and jazz practices; a resourceful, imaginative streak; and a great deal of facility on the instrument. While he often incorporates elements of early jazz piano styles, such ...
read moreMichael Kocour: East Of The Sun
by Dan Bilawsky
The ease of expression with which pianist Michael Kocour unspools standards tends to belie the greatness of his playing. With extreme comfort and control he lays out one beautiful performance after another, all the while presenting a fine balance between technical accomplishment and creative bent. East Of The Sun--the sixth leader (or co-leader) date from Kocour, and the third to offer a detailed look at his solo piano work--largely focuses on songs from the '20s and '30s. ...
read moreMichael Kocour: Spiffy
by Jack Bowers
Spiffy is the third album as leader this year (2015) for pianist Michael Kocour who has chosen the occasion to set aside the piano in favor of a Hammond B3 organ. It proves to be an auspicious choice, as does his decision to work as part of a quartet. Kocour's sidemen (saxophonist Eric Schneider, guitarist Bruce Forman, drummer Dom Moio) are splendid, as is the leader's stout and nimble Hammond. The four had played together as a unit only once ...
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