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Cassio Vianna Jazz Orchestra: Vida
by Jack Bowers
As you can't always describe a book by its cover, neither can you invariably pinpoint with accuracy a jazz ensemble's locale by its name alone. The Cassio Vianna Jazz Orchestra, to choose a random example, is not from Italy--nor from anywhere else in Europe. Although born in Rio de Janeiro, Brazil, Cassio Vianna has lived in the United States since 2009 and is, in fact, a music educator and director of Jazz Studies at Pacific Lutheran University in Tacoma, Washington, ...
Continue ReadingNeil Welch: The Ink Around It
by Ian Gwin
Music is ephemeral by nature. The conical airflow of a saxophone could be nothing more than “airy charm"—as the magician Prospero in The Tempest might have it—but this fails to substantiate its power. Though the rousing craft of Seattle composer and saxophonist Neil Welc does. In his acclaimed duo Bad Luck with drummer Chris Icasiano, he's “plucked up / the pine and cedar" through a wildly generative approach to the tenor. Combining profound humility with a tectonic techique, Welch approaches ...
Continue ReadingWayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception, Wayne Horvitz: 55: Music And Dance In Concrete
by John Ephland
Wayne Horvitz is a musical universe unto himself. Has been for well over 35 years. And it's not just his stick-to-it-ive-ness that continues to make his music so damn engaging, a contrariness redefined. Consider these two recent releases as prime examples. The composer/bandleader/keyboardist (who turns 60 in 2015) has a musical history that just might grab you by the throat, if not coax you into some kind of mesmerizing trance. 55: Music And Dance In Concrete and At The Reception ...
Continue ReadingWayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception
by Mark Corroto
Wayne Horvitz already has lovely. It's a tool he wields with ease in his music, be it in his Gravitas Quartet of piano/trumpet/cello/bassoon, his Sweeter Than The Day acoustic quartet or the electric Zony Mash. He even brought lovely to John Zorn's shocking Naked City bands of the 1990s. Horvitz has the ability to distill music, be it classical, jazz, film, or free, down to the essence of melody and harmony.He applies that lovely to his little big ...
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