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About Heath Watts
Instrument: Saxophone, soprano
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by John Sharpe
Musicians gravitate towards the sprawling conurbations like New York and Chicago because of the potential for exposure, the pool of talented collaborators and the sheer pull of tradition. But if ever proof were needed that excellent music thrives outside of the these febrile centers, then it can be found on Bright Yellow With Bass. Soprano saxophonist Heath Watts now resides in Philadelphia, and his last issued record dates back to Breathe If You Can (Leo, 2008), so clearly he doesn't ...
read moreHeath Watts - Blue Armstrong: Bright Yellow with Bass
by Glenn Astarita
The musicians underscore the tone of this program by citing a quote from renowned artist Wassily Kandinsky: “The sound of colors is so definite that it would be hard to find anyone who would express bright yellow with bass notes or dark lake with treble." But of course, the interpretations are decided by the listening audience, especially since most of these works are steeped in the free-jazz realm. Heath Watts (soprano sax) and Blue Armstrong (bass) yield a ...
read moreHeath Watts - Dan Pell: Breathe If You Can
by AAJ Italy Staff
NODOT (Non-Objective Dinamically Ordered Tones) è l’acronimo con il quale il sassofonista Heath Watts ama definire il proprio modo di improvvisare, e quindi il proprio pensiero musicale. Musica che, come sostenevano artisti visuali quali Kandinsky e Picasso in riferimento all’arte in generale, non deve essere una rappresentazione del reale così come lo si percepisce fisicamente, bensì un flusso determinato dalle profonde rielaborazioni dell’artista. Aggiungiamo, sempre dalle note di copertina, che le influenze musicali dei due musicisti spaziano da Coltrane a ...
read moreHeath Watts and Dan Pell: Breathe If You Can
by Glenn Astarita
Philadelphia residents, soprano saxophonist Heath Watts and drummer Dan Pell, improvise with relentless passion here. But they uncannily combine a tight-knit vibe while simultaneously expanding their repertoire via an angular, intuitive and muscular gait. Inspired by visual artists such as Kandinsky and Picasso, the saxophonist coins his methodology, NODOT (Non-Objective Dynamically Ordered Tones). With their inaugural release for Leo Records, the artists delve into quite a bit of give-and-take exercises, supplanted by multihued free-form excursions that pack a hearty punch.
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