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Jazz Articles about Gary Versace
Luzia von Wyl Ensemble: Frakmont
by Glenn Astarita
Frakmont, the latest offering from Swiss composer/pianist Luzia von Wyl and her ensemble, stands as a remarkable fusion of avant-garde jazz and classical finesse, crafting a sound universe that is at once groundbreaking and eternal. Each track unfolds like a story, told with meticulous care and fervent emotion, under the ensemble's cohesive unity and von Wyl's inspired direction. The musicians navigate through a variety of emotional terrains and sonic vistas, solidifying the ensemble's expertise in creating music that ...
read moreJoe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let me suggest that good music comes in assorted varieties. On one end of the spectrum you have music brimming with complex structures and technical ...
read moreAndrew Rathbun: The Speed Of Time
by Dan McClenaghan
Not one to avoid concepts and ambitious outings, Andrew Rathbun's to-date masterpiece, The Atwood Suites (Origin Records, 2018), explored the poetry of his countrywoman, writer Margaret Atwood. In 2023, he tackles time. Time is a funny thing. Its perceived speed is malleable. It tends toward an increasing velocity as one moves into middle age and beyond. It can crawl at a snail's pace (during a root canal treatment, for example) and it can race ahead with wild abandon--that ...
read moreJonathan Kreisberg: Night Songs
by C. Andrew Hovan
Although technical proficiency and filigreed improvisations often catch the attention of the average jazz fan, those in the know will insist that you can't really evaluate the mettle of a jazz musician until you hear how he interprets a ballad. Memorable efforts from the jazz cannon that fruitfully establish a reflective mood over the length of an album must include John Coltrane's Ballads, Kenny Dorham's Quiet Kenny, and Grant Green's Idle Moments. With six dates already as a ...
read moreRudy Royston & Flatbed Buggy: DAY
by Dan McClenaghan
Drummer Rudy Royston debuted his group Flatbed Buggy in 2018, with the eponymous Greenleaf Records release. It had the feeling of a jazz-folk chamber group. With its unusual instrumentation--Gary Versace's accordion, Hank Roberts' cello, and John Ellis' bass clarinet joining Royston's drums and Joe Martin's bass--a laid-back and engaging Americana vibe emerged. The follow-up, Day, is more of the same, with a bit more swing. With an ear towards the past, the sound recalls drummer Chico Hamilton's mid-50s ...
read moreNew York Bass Quartet: Air
by Pierre Giroux
Bassist Martin Wind is the real deal. Although he may not have the profile enjoyed by some of the bold-faced names in the profession such as Christian McBride, Ron Carter or Esperanza Spalding, he has built his reputation as a skilled, versatile player since emigrating to the US in 1995 to study at the NYU jazz program. While Wind's discography is not lengthy, he has done some commendable work with Bill Mays and Frank Kimbrough. This release Air puts the ...
read moreKate McGarry + Keith Ganz Ensemble: What to Wear in the Dark
by C. Michael Bailey
Being taken for granted is the greatest tribute and worst slight to any artist. Kate McGarry has made music that brilliantly colors outside the lines since her release, Show Me (Palmetto Records) in 2003 (there was a 1992 standards release, Easy To Love (Vital Records) that is out-of-print). Her career has provided five provocatively thoughtful and inventive recordings between that release and 2018's The Subject Tonight Is Love (Binxtown Records). Listeners have come to expect something a little different from ...
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