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Conosur: Zonda
by C. Michael Bailey
The DiMeola Effect. The spirit of Al DiMeola nuzzles every corner of this disc. This is no surprise with DiMeola protégés Hernan Romero and Tony Viscardo at the helm. Add to them DiMeola bassist Mario Rodriguez and this you have to have some DiMeola influence. This music is decidely Latin, well produced, and easy on the ears. Romero and Viscardo tip their hat to Piazzola (as DiMeola did) and to the master himself. The beautiful duet on “El Condor Pasa” ...
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by Jack Bowers
This is a rhythmically intense album of Latin compositions by Conosur (guitarists Hernán Romero and Tony Viscardo) augmented on occasion by vocals, percussion, bandoneon, cymbals, drums and/or bass. Romero wrote seven of the dozen tunes, Viscardo two. The others are “La Añera,” the familiar “El Condor Pasa” and Astor Piazzolla’s slow tango, “Oblivion.” Between them, Romero and Viscardo play a number of guitars — electric, acoustic, 12–string, nylon string — and Romero also plays charango, keyboards, cajón and sings (sometimes ...
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