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Jazz Articles about Charles Tyler

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Album Review

Albert Ayler: Albert Ayler 1965: Spirits Rejoice & Bells Revisited

Read "Albert Ayler 1965: Spirits Rejoice & Bells Revisited" reviewed by Mark Corroto


Being that 2020 is more than half a century since Albert Ayler (1936-70) recorded this music, the best way to approach might be through what the Zen Buddhists call Shoshin. Roughly translated as “beginner's mind," or the ability to experience things as if for the first time. Since we cannot transport ourselves back to 1965, taking a posture of readiness and being open to experience the revelatory nature of this music might be the best plan of attack.

Album Review

Charles Tyler: Eastern Man Alone

Read "Eastern Man Alone" reviewed by AAJ Italy Staff


Charles Tyler fa parte di quella schiera di musicisti che hanno partecipato alla rivoluzione della New Thing senza assurgere alla statura di eroi o leggendari protagonisti, ma lavorando piuttosto nell'ombra o a fianco di stelle di prima grandezza. Come successe al nostro, che incontrò Albert Ayler a Cleveland lo seguì fino a New York entrando nella sua band con la quale registrò gli storici Bells e Spirits Rejoice e nella quale figurava al sax contralto come una sorta di alter ...

Album Review

Charles Tyler: Charles Tyler Ensemble

Read "Charles Tyler Ensemble" reviewed by AAJ Italy Staff


E' inevitabile ricordare Albert Ayler ascoltando questo disco. Il sax dolorante, l'astrattismo imperante, il ricorso agli strumenti ad arco, il parossismo della cantabilità tematica accostata all'esplosione free non lasciano dubbi. E infatti Tyler fu per anni, e anche in molti celebri dischi, parte integrante della cerchia dello sfortunato Albert. Un gigante che a quanto pare ne ha segnato anche la storia da solista. Per convincersene basta prestare l'orecchio (non ci vuole molto) alle analogia del brano “Three Spirits" con molti ...

209
Album Review

Charles Tyler: Charles Tyler Ensemble

Read "Charles Tyler Ensemble" reviewed by Raul d'Gama Rose


Charles Tyler Ensemble possesses a profound quality. Unlike many records of the mid-1960s, it burns with a quiet blue flame, eschewing the intellectual posturing that characterized much new music in the avant-garde era. Tyler, a baritone saxophonist who became an acolyte of Albert Ayler--following him to New York in the early part of the movement--transposes Ayler's famous gravitas to the horn of a higher register, the alto. This act alone gives his spare and deeply spiritual compositions ...

280
Album Review

Charles Tyler Ensemble: Charles Tyler Ensemble

Read "Charles Tyler Ensemble" reviewed by Jerry D'Souza


Charles Tyler was an innovative musician who could unfurl a maelstrom of ideas from just a spark. He played with fire and spirit, finding his muse in free jazz and filling his music with bold inventions.

Tyler met Albert Ayler when he was 14. He later went on to play with Ayler, whose influence can be heard in his approach. Tyler, however, held his own shining in the company of other free jazz votaries like Cecil Taylor, Dewey Redman, David ...

376
Extended Analysis

Charles Tyler: Saga of the Outlaws

Read "Charles Tyler: Saga of the Outlaws" reviewed by Clifford Allen


Charles Tyler Saga of the Outlaws Nessa Records 2009

Saga of the Outlaws is just about the most fitting title one could expect for saxophonist Charles Tyler's fifth LP under his own name. Tyler was more than an outlaw (or a gladiator, to paraphrase Stanley Crouch), but unfortunately his name crops up rather rarely in discussions of jazz's historical vanguard. He traversed the Midwest, from Kentucky to Indiana to Cleveland, Ohio where ...


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