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As Arkadia slowly but surely builds a label, it now adds its first singer, Mary Pearson Mary Pearson.
"And who is Mary Pearson Mary Pearson?" non-New Yorkers may ask.
Well, Mary Pearson Mary Pearson has been singing below the national radar screen for 20 years or thereabouts, with the likes of Fred Hersch and recently with Diva No-Man's Band. And you've got to give her credit for ingenuity: When she found the going tough as a nightclub singer, she supplemented her income by booking herself in nursing homessurely an experience that helped her reach the heartstrings of a broad audience, to say the least.
Coming from numerous other influences of her generation, including folk music, pop singers and Broadway performers, Pearson has synthesized all of that to develop a distinctive style to personalize the music she sings, no matter how often that music may have been heard.
"You And I" then is an album of duos, Pearson the vocalist with several instrumental accompaniments. While you would expect piano accompaniment, it's Steve Davis' work on drums that seems to inspire Pearson, "Lazy Afternoon" and "Thou Swell" allowing Davis to seemingly independently add texture and color behind Pearson's free vocal improvisation, elasticizing a phrase here, snapping and contracting another one there in a way that keeps the listener guessing. Harvie Swartz' introduction on "How Long Has This Been Going On?" recalls his landmark recordings with Sheila Jordan, as does his unpredictable accompaniment.
On the other hand, Lynne Arriale's simplified accompaniment on "My Funny Valentine" goes basic when it should have gone dense and percussive, Pearson then emoting not from a jazzy foundation but as a song stylist.
The clench of Pearson's command and the clarity of her voice arrest the listener all right. So does her fresh approach to ballads when she decides to free her improvisation from conventional approaches. With a long-term contract in hand, it's only a matter of time before Mary Pearson seeps ever so slightly and ever so invitingly into the jazz public's consciousness.
Lazy Afternoon; The More I See You; Take Five; What Are You Doing The Rest Of Your Life; I Am Yours/You Are Mine; Thou Swell; You And I; In Your Arms; How Long Has This Been Going On; My Funny Valentine; I Can't Believe; Over The Rainbow
Mary Pearon, vocals; Lynne Arriale, Fred Hersch, David Lahm, piano; John Hart, guitar; Harvie Swartz, bass; Steve Davis, drums
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...