47

Gonzalo Rubalcaba: XXI Century

Mark Corroto By

Sign in to view read count
Gonzalo Rubalcaba: XXI Century If Gonzalo Rubalcaba were a major league pitcher, he would be a seasoned veteran with the knowledge that to be effective he would have to be the master of multiple pitches. Gone are his rookie days when he could throw nothing but fastballs to get outs.

Same for Gonzalo Rubalcaba, jazz pianist. Twenty-five years ago he wowed audiences with his powerful attack and blinding speed. As his sound has matured, he has begun communicating with more subtlety, throwing audiences more off-speed and graceful pitches.

XXI Century is the second release from his own imprint, and like the previous solo outing, Fe...'Faith (5 Passion, 2011), he continues to reveal his expanding repertoire. This double disc plays off Cuban themes, percussive fusion, funk, and introspective improvisation.

Well chosen guests supplement his working trio of bassist Matt Brewer and drummer Marcus Gilmore. Rubalcaba's opening "Nueva Cubana" traverses a percussive attack to etch itself upon the electricity of Gary Galimidi's guitar. The sound is not so much a fusion of rock and Cuban jazz as it is a mutual path. Same with the funk laid down on "Fifty." Lionel Loueke's Afropop guitar bumps into Gilmore's groove, and Rubalcaba's Cuban vibe ties West Africa to North America and the Caribbean.

With the help of percussionist Pedro "Pedrito" Martinez, the groove stays firmly rooted in Cuba. "Son XXI" highlights the pianist's percussive attack, matching the clavé with the keyboard—a dare to sit still.

While the pyrotechnics are present, the pianist also shows another side, covering Lennie Tristano's "Lennie Pennies" as Keith Jarrett might eschewing rhythmic emotion for a mathematical precision. His take on Paul Bley's "Moore" and Bill Evans' "Time Remembered" expose a very thoughtful side, where the pianist opens compositions up to lighter swing.

Rubalcaba has mastered a backdoor strike here, not to keep the listeners off balance but to display his full array of talents.


Track Listing: CD1: Nueva Cubana; Time Remembered; Fifty; Anthem; Oshun; CD2: Moore; Son XXI; Alafia; Lennie’s Pennies; Oshun (short version).

Personnel: Gonzalo Rubalcaba: piano, Yamaha CFX, keyboards; Matt Brewer: acoustic double bass, arco bass, electric bass; Marcus Gilmore: drums; Ignacio Berroa: drums; Pedro "Pedrito" Martinez: percussion, voice; Lionel Leouke: guitar, voice; Gary Galimidi: electric guitar.

Year Released: 2012 | Record Label: 5Passion | Style: Latin/World


Shop

More Articles

Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read June CD/LP/Track Review June
by Dan McClenaghan
Published: February 22, 2017
Read The Invariant CD/LP/Track Review The Invariant
by Mark Sullivan
Published: February 22, 2017
Read Akua's Dance CD/LP/Track Review Akua's Dance
by Dan Bilawsky
Published: February 21, 2017
Read Daylight Ghosts CD/LP/Track Review Daylight Ghosts
by Mark Sullivan
Published: February 21, 2017
Read "Wise After The Event - Deluxe Edition" CD/LP/Track Review Wise After The Event - Deluxe Edition
by Glenn Astarita
Published: April 23, 2016
Read "Guitarist, Alone" CD/LP/Track Review Guitarist, Alone
by John Eyles
Published: August 5, 2016
Read "Rivers" CD/LP/Track Review Rivers
by James Nadal
Published: June 13, 2016
Read "Ed Calle 360" CD/LP/Track Review Ed Calle 360
by Edward Blanco
Published: July 17, 2016
Read "Cuong Vu Trio Meets Pat Metheny" CD/LP/Track Review Cuong Vu Trio Meets Pat Metheny
by Dan Bilawsky
Published: April 20, 2016
Read "The Three Voices" CD/LP/Track Review The Three Voices
by Dan McClenaghan
Published: March 19, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!