228

Katharina Weber: Woven Time

Nic Jones By

Sign in to view read count
Until she'd reached the age of seventeen, pianist Weber hadn't played the piano without having sheet music in front of her, but it's clear from this program that she's put in the effort it takes to acquire the improviser's gifts. Such, however, are the recorded precedents for solo improvising pianists that the business of staking out individual territory within the recorded canon is fraught.

In that regard, Weber fares rather well. The extraordinary reflection of "Sicht aus dem Kopfstand" is entirely her own, and she has a way of seemingly distilling time which ought to be the envy of others. The piece is less than four minutes duration, but in this case the brevity serves the music well.

That's equally true generally speaking as well. "Gefalschte Obertone und die Wahrheit dahinter," at just over three minutes, is static, seemingly not permissive of development, but in a way that conjures forth no notions apart from that of Weber's singular musical personality—certainly Morton Feldman's brand of minimalism isn't evoked.

Cecil Taylor's spirit isn't walking the floor here either. On "Dialog mit dem Hausgest" Weber gets as close as she ever does to his hyperactivity but the teasing out of lines, and indeed, perhaps, expectations, is the sound of a pianist only too aware of his precedent. As it is, she reaches a happy accommodation with it, letting her own music breathe in its own singular way.

She's a musician who tends to shy away from the emphatic, which in its way also informs her musical personality. She gets as close to such a gesture as she ever does here on "Quint-Essenz" where her innate pianistic knowledge allows her to tellingly deploy the instrument's dynamics. Again the risks of meandering are denied by brevity and the result is that her ideas come across as distillations, symbolic not so much of caution as they are of restraint of a high order.

"Schuttelbecher" is almost mechanical in its nature, and not least because Weber's hands serve almost as a kind of surrogate player-piano, complete with the connotations of the static that this implies. In view of this, it's perhaps unsurprising that the music doesn't progress in a linear fashion but instead seems to hang in the air, subject not so much to passing whim as to when Weber judges the moment is right. Her right hand teases a figure out towards the piece's end, but without compromising the mood established.


Track Listing: Wegsuche; Sicht aus dem Kopfstand; Spiegelflache; Flohzirkus; Quint-Essenz; Verstrebungen; Der wildgewordene Steinfrosch; Gefalschte Obertone und die Wahrheit dahinter; Dialog mit dem Hausgeist; Der Traum der Grafin; Schuttelbecher; Bebung; Was bleibt?; Auf und davon

Personnel: Katharina Weber: piano.

Title: Woven Time | Year Released: 2009 | Record Label: Intakt Records


Tags

comments powered by Disqus

More Articles

Read Kurrent CD/LP/Track Review Kurrent
by C. Andrew Hovan
Published: October 17, 2017
Read Duets CD/LP/Track Review Duets
by Jakob Baekgaard
Published: October 17, 2017
Read Rev CD/LP/Track Review Rev
by Dan McClenaghan
Published: October 17, 2017
Read The Frequency Modulators Orchestra, Vol. 1 CD/LP/Track Review The Frequency Modulators Orchestra, Vol. 1
by Jim Olin
Published: October 17, 2017
Read The Adventures of Zodd Zundgren CD/LP/Track Review The Adventures of Zodd Zundgren
by Karl Ackermann
Published: October 16, 2017
Read Any Other Way CD/LP/Track Review Any Other Way
by Jakob Baekgaard
Published: October 16, 2017
Read "Territoires" CD/LP/Track Review Territoires
by Mark Sullivan
Published: August 26, 2017
Read "Urban Soul" CD/LP/Track Review Urban Soul
by Roger Farbey
Published: May 20, 2017
Read "Transient" CD/LP/Track Review Transient
by Roger Farbey
Published: April 3, 2017
Read "Joey.Monk.Live!" CD/LP/Track Review Joey.Monk.Live!
by Dan Bilawsky
Published: October 14, 2017
Read "Domains" CD/LP/Track Review Domains
by Karl Ackermann
Published: September 13, 2017
Read "What's Wrong" CD/LP/Track Review What's Wrong
by John Sharpe
Published: December 2, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.