Works is the first album containing compositions by Swedish trumpeter Emil Strandberg. But this is also a highly collaborative work. The set of subtle and nuanced compositions for a chamber, acoustic trio stress an intimate dialog between the three musicians. The musical expression is equal to sensitive listening and always examines its own formulation, its sound, its timbral qualities, and how it resounds.
Strandberg collaborates here with two like-minded musiciansacoustic guitarist David Stackenäs with whom he plays in the American-Swedish band Sevaland double bassist Pär-Ola Landin, member of another trio of Strandberg. The sound of the trio is subtle, and relaxed. Strandberg in particular plays simple straight-forward lines, mostly with no vibrato, avoiding consciously the option of becoming a style, but with an elegant presence and authority. This open interplay turns each of the eight short compositions into detailed narratives. Each musician adds another perspective, color, or timbral fragment to the abstract story, collectively solidifying its outline.
The compositions progress like conversations, gaining more information, depth, and insights. The interplay is always balanced, contemplative, and restrained but still exposes the emotional turmoil that the music points to. In some of the compositions, as on "Sthlm Stomp" and "They Hear No Music," the improvised elements are more apparent but often the compositional themes are used as a vehicle for improvisation.
This is an impressive set of gentle compositions that draw a nuanced musical map of quiet, emotional storms.
Track Listing: Maybe It Is; Changes; Singer in the Park; Sthlm Stomp; Walker in the
Rain; 127; They Hear No Music; Komposition.
Personnel: Emil Strandberg: trumpet; David Stackenäs: guitar; Pär-Ola Landin:
I love jazz because next to my kids, it's the love of my life.
I was first exposed to jazz by Joe Rico from a tiny station in Niagara Falls in 1954 when I was 13.
The best show I ever attended was Maynard Ferguson who blew the roof off Massey Hall in the late 50s.
My advice to new listeners is to listen to everything you can and then listen again.