Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

4

Carolyn Sampson, Marianne Beate Kielland, Makoto Sakurada, Christian Immler; Bach Collegium Japan, Masaaki Suzuki: Wolfgang Amadeus Mozart - Requiem

C. Michael Bailey By

Sign in to view read count
For some listeners and critics Masaaki Suzuki and the Bach Collegium Japan is an acquired taste. I have found no quibble with Maestro Suzuki and his fine band and chorus. They have recently completed a complete survey of Bach Cantatas, as well as a majority of Bach's major orchestral works. Suzuki himself has recorded the buck of Bach's keyboard music (on harpsichord, of course) and all of these endeavors bear an undeniable stamp of Ton Koopman, with whom Suzuki studied. No one-dimensional performer, Suzuki has also addressed the keyboard music of Dietrich Buxtehude and the orchestral music of Monteverdi. Suzuki and company's reading of Handel's Messiah (BIS, 1997) is exceptional. The maestro is a man for all Baroque seasons.

Well, almost. Offered here is a scintillating Mozart Requiem in a new completion by Bach Collegium Japan organist and harpsichordist Masato Suzuki, commissioned by the orchestra. Where John Eliot Gardiner, upon completion of his Bach Cantata Pilgrimage, returned to Beethoven twenty years after his groundbreaking recordings with his Orchestre Révolutionnaire et Romantique, Suzuki stays chronologically closer to home with Mozart. And What Mozart it is.

We are not lacking for superb performances of Requiem. Mozart's masterpiece was left as a mere shell by its composer at his death most likely from the renal sequelae of rheumatic fever he has suffered as a child. The mass was completed by Mozart protégé, Franz Xaver Süssmayr with input by Joseph von Eybler. This new completion is not to be considered definitive, according to Masato Suzuki. It is an attept to remain true to the composer by the assimilation of Sussmayr's completion with the adoption of Eybler's sequential. Suzuki includes Mozart's "Amen Fugue," originally discovered as a single page sketch in Mozart's hand in the Berlin State Library in 1960. Its addition enriches the mass offering a capable closure to the piece. Also included is a performance of Vesperae Solennes de Confessore, K. 339, which bears many similarities to the Requiem composed several years later. Also provided is al alternate reading of the "Tuba mirum" from the "Sequentia."

The performance and its sonics are absolute perfection. Suzuki moderates his tempi, achieving a seamless consistency throughout the performance, never dragging or sounding rushed. The strings and brass of the BCJ are evenly and brightly captured. The soloists are exceptional, in particular, soprano Carolyn Sampson, whose tone is creamy and precise. This is a fresh look at a staid and revered piece of music, treated here with both respect and boldness.

Track Listing: Introitus; Kyrie; Sequenz; Offortorium; Sanctus – Benedictus; Agnus Dei; Communio; Vesperae Solennes de Confessore, K. 339

Personnel: Carolyn Sampson: soprano, Marianne Beate Kielland: mezzo-soprano; Makoto Sakurada: tenor; Christian Immler: baritone; Bach Collegium Japan, Masaaki Suzuki, director.

Title: Wolfgang Amadeus Mozart - Requiem | Year Released: 2015 | Record Label: BIS (Sweden)

Tags

Watch

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Related Articles

Read Caldera / Sky Islands Album Reviews
Caldera / Sky Islands
By Jakob Baekgaard
May 25, 2019
Read Baby, Please Come Home Album Reviews
Baby, Please Come Home
By Doug Collette
May 25, 2019
Read Reckless Heart Album Reviews
Reckless Heart
By Doug Collette
May 25, 2019
Read Fire Brigade Album Reviews
Fire Brigade
By Phillip Woolever
May 25, 2019
Read Day to Day Album Reviews
Day to Day
By Paul Naser
May 24, 2019
Read Theia Album Reviews
Theia
By Jim Worsley
May 24, 2019