Ten years on from its original release, digitally remastered in a handsome Winter & Winter edition, Winter Truce (And Homes Blaze) isn't so much a candidate for re-evaluation as potent testimony to the controversy that surrounded maverick British bandleader and composer Django Bates in '95. The unfettered idiosyncrasy of the albumoverflowing with new ideas and previously uncharted vistassums up much,
and the parts themselves continue to make for enthralling listening.
Track Listing: You Can't Have Everything; The Loneliness Of Being Right; ...And A Golden Pear; New York, New York; Early Bloomer; X = Thingys x 3 - MF; Fox Across The Road; Powder Room Collapse; Kookaburra Laughed; You Can't Have Everything Reprise.
Personnel: Julian Arguelles: baritone and soprano saxophones; Iain Ballamy: soprano, alto and tenor saxophones; Chris Batchelor: trumpet; Django Bates: keyboards, piano, Eb peck horn; Roland Bates: trombone; Steve Buckley: soprano and alto saxophones, tin whistle; Martin France: drums, percussion; Sid Gauld: trumpet; Stuart Hall: guitar, violin, banjo; Richard Henry: bass trombone; Sarah Homer: clarinet, bass clarinet; Dave Laurence: french horn; Mark Lockheart: tenor saxophone, clarinet; Michael Mondesir: bass; Eddie Parker: flute, bass flute; Barak Schmool: tenor saxophone, piccolo flute; Christine Tobin: solo vocals; Sarah Waterhouse: tuba.
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz.
Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports.
It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!!
When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so jazzy. It's because I understand Blue Notes, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd.
I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students.
My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together!
Most of the people that I know today do not get jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it.
In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather.
I love John Kelman's articles. They are so insightful and well-constructed!
Thank you all for doing what you do.