All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

5

Torben Snekkestad: Winds Of Mouth

Mark Corroto By

Sign in to view read count
The Homo sapien caveman picked up a goat's horn and blew some notes through it to entertain the Neanderthals, who had somehow, not paid the cover charge for the spring solstice show. No worries he thought, they'll soon be extinct, and I've just invented music.

What the Neanderthals were fascinated with, was, just how did the caveman make those sounds? Same can be said of musician Torben Snekkestad's recording Winds Of Mouth. Actually, it's just one of three releases on ILK Music that comprise his trilogy "The Poetics of a Multiphonic Landscape" that also include The Reed Trumpet and Plateau.

A gifted saxophonist in both jazz and classical music, Snekkestad is a sound explorer with a zealous commitment to extended technique and free improvisation. His previous release was the duo session Slip Slide And Collide (Maya, 2014) with legendary bassist Barry Guy. His other projects include The Living Room with pianist Søren Kjærgaard and drummer Thomas Stronen, a classical chamber ensemble—The Copenhagen Saxophone Quartet, and Trygve Seim's Ensemble.

On Conic Folded (ILK, 2009), he presented music in some solo music alongside an album of duo and trio music. Here he goes it alone, except where he utilized multi-tracking to reinvent the wheel, as it were.

His vinyl only (w/download) release The Reed Trumpet produces eleven improvisations from his hybrid reed trumpet, an invention of Eddie Harris in the 1970s in which a reed mouthpiece is fashioned to the brass instrument. The effect can be that of a muted trumpet, the game calls of John Zorn, the minimalist breathy sound of Axel Dorner's trumpet, a very formal classical chamber trumpet, or an electric current as in Sachiko M's sine waves. The music here is minimalist raw material Snekkestad is cataloguing for his future reference, or techniques prospective musicians can marvel over.

On Plateau, he switches to tenor and soprano saxophone, but maintains his dedication to new sound explorations. His circular breathing, coupled with overblowing his saxophone, creates hypnotizing effects. His music, especially on soprano, is the progeny of pioneer Evan Parker's work. Snekkestad takes free improvising to yet another level. He has all the tools, from slurry notes, to mouthpiece pops, upper register balancing acts, and tone control to forge a new musical path.

Winds Of Mouth draws together all the instruments he has been investigating, tenor and soprano saxophone, reed-trumpet, slide trumpet, clarinet, and water bowl. He also utilizes multi-tracking to layer one instrument upon another. "South Abyss" floats breath-only notes over and through the prickling scratches of and pulses of notes. His deep bass notes come from somewhere under water. The title track opens with what sounds like an animal's horn, then a response from various woodlands creatures. Without visuals, there is no way to grasp how these sounds are created. He can sound like an entire steampunk invention from the 19th century. Switches and valves powered by the steam of his breath create a neo-noir soundtrack for an imaginary movie.

Track Listing: April Floutish, South Abyss; Winds Of Mouth; Harbor Cry; Conque Duolouge.

Personnel: Torben Snekkestad: tenor saxophone, soprano saxophone, reed trumpet; slide trumpet, clarinet, water bowl.

Title: Winds Of Mouth | Year Released: 2016 | Record Label: ILK Music

Tags

comments powered by Disqus

CD/LP/Track Review
Read more articles

Related Articles

Read Making Other Arrangements CD/LP/Track Review
Making Other Arrangements
by Bruce Lindsay
Published: April 19, 2018
Read Music in Motian CD/LP/Track Review
Music in Motian
by Mike Jurkovic
Published: April 19, 2018
Read Descansado - Songs For Films CD/LP/Track Review
Descansado - Songs For Films
by John Ephland
Published: April 19, 2018
Read Bright Force CD/LP/Track Review
Bright Force
by Dan McClenaghan
Published: April 19, 2018
Read Simbiose CD/LP/Track Review
Simbiose
by Dan Bilawsky
Published: April 18, 2018
Read For Lew CD/LP/Track Review
For Lew
by Jack Bowers
Published: April 18, 2018
Read "Glenn Gould in Russia: Bach, Beethoven, Berg, Webern, Krenek" CD/LP/Track Review Glenn Gould in Russia: Bach, Beethoven, Berg, Webern, Krenek
by C. Michael Bailey
Published: September 16, 2017
Read "Unit[e]" CD/LP/Track Review Unit[e]
by Karl Ackermann
Published: June 25, 2017
Read "The Deep" CD/LP/Track Review The Deep
by Dr. Judith Schlesinger
Published: July 4, 2017
Read "Mandorla Awakening II: Emerging Worlds" CD/LP/Track Review Mandorla Awakening II: Emerging Worlds
by Hrayr Attarian
Published: August 6, 2017
Read "Intention" CD/LP/Track Review Intention
by John Sharpe
Published: April 18, 2018
Read "Let Your Mind...Space Out" CD/LP/Track Review Let Your Mind...Space Out
by Roger Farbey
Published: August 31, 2017