If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Pianist John Blum is a native New Yorker who has been immersed in the city's free improvisation scene for the last 15 years. His work with bassist William Parker and drummer Sunny Murray has had the highest profile and last year's release by this trio, In The Shade Of Sun, appeared on guitarist Thurston Moore's Ecstatic Peace label, no doubt doing much to push Blum's music towards an alternative rock audience.
This set of solo pieces was recorded in a single day's session on the 22nd of June 2008. Its tune titles are lifted from "Lineage," the Ted Hughes poem. It's intensified. It's condensed. It's compacted. It's impacted. It's unavoidable to invoke the name of Cecil Taylor as a stylistic precedent. Or maybe Don Pullen. Blum plays with such forcefulness and rapidity that these short-ish outbursts sound like Conlon Nancarrow's player piano rolls, interpreted via human hands, freed up into a liquid state.
Blum is darker than Taylor, exploring a deeper timbre. He makes slashing strokes across the keyboard, laterally pile-driving, adopting different speeds, clusters and event-groupings. He really sounds like he's released his mind from all conventionally governing principles. His fast detail is delivered with a manic attack. Showers, sprays, mini-tantrums. He possesses high control and a vast lexicon. The sequence of improvisations sounds like some bastardized classical recital. Blum is truly a virtuoso percussionist. He sounds as though he's realizing structures in his head, as if in narrative overdrive, keying in tongues.
Track Listing: Who Begat Eye; Who Begat Fear; Who Begat Wing; Who Begat Bone; Who Begat Granite; Who Begat Sweat; Who Begat Nothing; Who Begat Never; Never Never Never.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!