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Prior to Knit Classics’ recent reissue deluge all of Ronald Shannon Jackson’s recordings as a leader were out of print. This may not seem like much of travesty to those unfamiliar with Jackson’s catalog but when you consider that he had over a dozen albums to his credit the reality of the rate of attrition begins to sink in. Fortunately for everyone involved the Knitting Factory’s new reissue imprint has chosen Jackson (along with Rashied Ali) as one of the hubs of it’s new wave of releases. Brought back into circulation are a host of Jackson’s sessions including this live set recorded at the Caravan of Dreams.
The Decoding Society was Jackson’s working group during the 1980s and it had a somewhat revolving lineup based both on the schedules of the players and the ever-present specter of economics. The roster on display here is particularly strong and features the solid horn pairing of Zane Massey and Eric Person prominently alongside the tandem guitar thrust of Masujaa and Denigris. As the instrumentation might tip-off this group dips heavily into a Fusion bag, but other dominant elements spring forth from African and High Life influences that Jackson absorbed during his travels across the Continent. “Dance of the Spirit Catcher” gathers the troop in a heavily amplified formation flanked by the shimmering guitars of Dengris and Masujaa. The blinding fretwork of both players together and separately provides the center on most of the tracks, but Jackson’s industrious drums and the horns also supply strong solos. There’s a heady urban flavor with a pinch of funk that informs many of the pieces too that mixes surprisingly well with the more bucolic elements of the leader’s arrangements. Jackson’s percussive style was and is one of the most forceful in the business, as evidenced by his stints with such heavy-hitters as Cecil Taylor and Peter Brötzmann (in Last Exit), notably informed by Rock, but never a slave to it. Though the rhythms sometimes wallow in orthodoxy of presentation, as on the title track, the forward momentum of the music never falters. With releases like this one those who missed Jackson’s prolific run the first time around now have a golden opportunity to catch up to where he left off.
Tracks:Dance of the Spirit Catcher/ Ella Mae/ When Colors Play/ Black Blues/ Sweet Orange/ Green Coronas/ Purple Tongues.
Players:Ronald Shannon Jackson- drums; Eric Person- soprano & alto saxophones; Zane Massey- tenor & soprano saxophones; John Moody- electric bass; Cary Dengris- electric guitar; Masujaa- electric guitar.
Knitting Factory on the web: http://www.knittingfactory.com
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...