297

Wes Montgomery, Soulive and the Beatles: Bending Time

Chris May By

Sign in to view read count
Two albums by guitar/organ trios would seem, on the face of it, to be prosaic enough propositions. And musically, guitarist Wes Montgomery's Boss Guitar, newly remastered, and Soulive's Rubber Soulive, recorded in 2010, are indeed straightforward affairs. But consider them together, and a cluster of time warps emerge, as 47 years of age difference shrink and futurism, modernism, revivalism and anachronism bleed into each other.

Wes Montgomery
Boss Guitar
Riverside / OJC Remasters
2010 (1963)

The guitar/organ trio was already thought by some to be anachronistic in 1963, when Montgomery, organist Mel Rhyne and drummer Jimmy Cobb recorded Boss Guitar. Though similar lineups, often augmented by a tenor saxophonist, were still a staple of lounge entertainment in urban America, the glory days of hard bop, when the trios led by organist Jimmy Smith seemed almost cutting edge, were fading fast, as first the Beatles and then acid rock seized the time.

Despite this, Montgomery's albums in the style gained credibility in jazz circles, for the quality of the leader's improvisations and for the general musicianship of all the players involved. Between 1959 and 1963, Montgomery made three albums with guitar, organ and drums for the Riverside label, on which he emerged as the guitar innovator of his generation—A Dynamic New Jazz Sound (1959) and Boss Guitar and Guitar On The Go (both 1963). The organist on all three discs was Mel Rhyne, whose understated approach was the antithesis of that favored by the flamboyant, rococo Smith, and was heavily influenced by Montgomery's style. Rhyne was Montgomery's regular organist on the club dates around his hometown, Indianapolis, on which the guitarist continued to focus his career even after his national breakthrough with The Incredible Jazz Guitar Of Wes Montgomery (Riverside, 1960). It wouldn't be until the second half of the decade, first on Verve, then on A&M, that Montgomery's AOR popularity compelled exposure in bigger, international settings, by which time his music had little to do with jazz.

Boss Guitar is the most enduring of Montgomery's guitar/organ trio discs—partly because, in the three and a half years since his recording debut with Montgomery, Rhyne had developed exponentially as a soloist; partly because of the presence of Cobb, a recent graduate of trumpeter Miles Davis' band; but above all, because of the vibrant air of engagement, mirrored by Montgomery's animated expression on the front cover (in a photo which grows more magical the longer it's looked at), which runs through the music.

A few years later, and up until his premature death in 1968, Montgomery more or less abandoned improvised music, instead performing radio-friendly set-pieces, often sweetened by strings, and exchanging jazz and Broadway standards for more contemporary material, including that written or popularized by the Beatles. Which brings us to Rubber Soulive....

Soulive
Rubber Soulive
Royal Family Records
2010

...Which is where the timewarps really kick in. Soulive—guitarist Eric Krasno, organist and pianist Neal Evans and drummer Alan Evans—is a jam band which has been active for 10 years, and which, like most jam bands, is at heart retro-modern. The trio's recorded oeuvre is a varied one, and Rubber Soulive—which sounds almost as though it was recorded live, in perhaps a 1960s Detroit lounge (rather than an upstate New York recording studio a few months ago)—finds it at its most groove-jazz and R&B focused.

The most explicit timewarp, of course, is the material. This isn't the complete reading of the Beatles' Rubber Soul (EMI, 1965) that the title suggests, though it does include that album's "Drive My Car" and "In My Life," but is instead a wider selection of 11 John Lennon/Paul McCartney and George Harrison songs from the second half of the Beatles' career. There are plenty of inventive, albeit brief improvisations, but Soulive make little attempt to "reinvent" the tunes, preferring instead to recast them with respect as jazz/rock/groove instrumentals—just like countless groove-jazz groups were doing during the Beatles' heyday.

Another temporal distortion is in the performances themselves. This is by three musicians, apparently unmediated by digital technology or radical post production, performing much as a prototypical blues-rock band might have done in the late 1960s: that is to say, directly, unfussily and with more adrenalin than nuance. That impression is strengthen by the effects and pedals, limited in textural scope, used by Krasno and Neal Evans, which sound, and presumably are, much the same as those in use 40 years ago. Retro? Or timeless? Whatever. Though modest in ambition, this is honest, exhilarating music.

Standout tracks are "Eleanor Rigby" (which Wes Montgomery would include on his 1967 A&M album A Day In The Life) and "While My Guitar Gently Weeps." The pathos of the original "Eleanor Rigby," transformed by Soulive into flaming intensity towards its conclusion, is brilliantly evoked; and the shimmering beauty of "While My Guitar Gently Weeps" is winningly respun by Krasno, over keyboard textures reminiscent of Marco Benevento, the Supreme Time Lord.

Tracks and Personnel

Boss Guitar

Tracks: Besame Mucho; Dearly Beloved; Days Of Wine And Roses; The Trick Bag; Canadian Sunset; Fried Pies; The Breeze And I; For Heaven's Sake; Besame Mucho; The Trick Bag; Fried Pies.

Personnel: Wes Montgomery: guitar; Mel Rhyne: Hammond B-3 organ; Jimmy Cobb: drums.

Rubber Soulive

Tracks: Drive My Car; Taxman; In My Life; Eleanor Rigby; I Want You (She's So Heavy); Come Together; Something; Revolution; Help!; Day Tripper; While My Guitar Gently Weeps.

Personnel: Eric Krasno: guitar; Neal Evans: Hammond organ, piano; Alan Evans: drums.

Tags

Related Video

comments powered by Disqus

More Articles

Read Real World Records' Vinyl Reissues Multiple Reviews Real World Records' Vinyl Reissues
by Nenad Georgievski
Published: September 16, 2017
Read The Narell Brothers: Steelpan Music Merchants Multiple Reviews The Narell Brothers: Steelpan Music Merchants
by Nigel Campbell
Published: September 9, 2017
Read Emanem Releases New Music From Late, Great Heroes Lacy And Rutherford Multiple Reviews Emanem Releases New Music From Late, Great Heroes Lacy And...
by John Eyles
Published: September 8, 2017
Read Of Stories, Songs, and Self: Fred Hersch's Good Things Happen Slowly & Open Book Multiple Reviews Of Stories, Songs, and Self: Fred Hersch's Good Things...
by Dan Bilawsky
Published: August 21, 2017
Read The Art (de Vivre) of the Trio Multiple Reviews The Art (de Vivre) of the Trio
by Geno Thackara
Published: August 12, 2017
Read Sven-Åke Johansson's Blue For A Moment Multiple Reviews Sven-Åke Johansson's Blue For A Moment
by Mark Corroto
Published: August 2, 2017
Read "Emanem Tidies Up" Multiple Reviews Emanem Tidies Up
by John Eyles
Published: December 19, 2016
Read "Cassette Plus Download Labels" Multiple Reviews Cassette Plus Download Labels
by John Eyles
Published: May 3, 2017
Read "Christmas Roundup 2016: Aguankó, Jeff Collins, & Vinnie Zummo" Multiple Reviews Christmas Roundup 2016: Aguankó, Jeff Collins, &...
by Mark Sullivan
Published: November 21, 2016
Read "Blues Deluxe: Colin James, Matthew Curry and Johnny Nicholas" Multiple Reviews Blues Deluxe: Colin James, Matthew Curry and Johnny Nicholas
by Doug Collette
Published: January 14, 2017
Read "Blues Spotlight: Robert Finley / Donald Jay Johnson And Gas Blues Band / The King Brothers" Multiple Reviews Blues Spotlight: Robert Finley / Donald Jay Johnson And Gas...
by James Nadal
Published: November 19, 2016
Read "Three saxophonists very different paths since "Propagations"" Multiple Reviews Three saxophonists very different paths since...
by John Eyles
Published: November 23, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.