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James Carney: Ways & Means

By TERRELL KENT HOLMES
September 5, 2009
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slideshow

Pianist James Carney takes the parameters involved in scoring films and applies them with the discipline of a jazz composer on the ambitious Ways & Means, the kind of challenging and cohesive work that listeners have come to expect from this exemplary musician.

Carney's band is as great a gathering of talent as one can find and they don't waste a note in his intricate arrangements. The excellence of Tony Malaby's tenor and Josh Roseman's trombone drive "Nefarious Notions"; Carney blends acoustic and synthesized sounds to produce a wonderful aural bouquet on the epic "Squatters," Peter Epstein adding a sprite of a soprano sax above Mark Ferber's impatient cymbal tapping, while trumpeter Ralph Alessi doesn't play a solo as much as sing an aria. The improvised "Champion of Honesty," which opens with someone (probably Alessi) mumbling into his horn, sounds like Satan's Philharmonic warming up before a concert.

Carney's layered keyboard work paces the eerie "Onondaga," with Ferber's measured drumming and Epstein's passionate soprano building up the tension. "Legal Action" sounds like a marriage between jazz and Emerson, Lake & Palmer. "Pow Wow" is a free jazz type of improv that sounds like something Charles Mingus or John Coltrane might have assembled. Even the ballad "Gargoyles," a touching tribute to Carney's late drummer Dan Morris, is just as rich with the layered interplay that defines the disc.

To say that Carney is simply a jazz musician would be somewhat off the mark. With all of the styles and influences he seamlessly integrates on Ways & Means, his music would disintegrate the boundaries of any single genre into which one might try to place it.

Track Listing: Nefarious Notions; Squatters; Champion Of Honesty; Onodaga; The Business End; Legal Action; Fallout; Pow Wow; Gargoyles.

Personnel: James Carney: acoustic and electric piano, analog synth, glockenspiel; Peter Epstein: soprano and alto saxophone; Tony Malaby: tenor saxophone; Ralph Alessi: trumpet; Josh Roseman: trombone; Chris Lightcap: contrabass; Mark Ferber: drums.

Title: Ways & Means | Year Released: 2009 | Record Label: Songlines Recordings

About James Carney

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I love jazz because it's helped me to escape to new worlds and new experiences. I was first exposed to jazz while I was very young. I was born in 1964 and I remember jazz being the background music for so many TV programs I used to watch
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