In crisp, fly-on-the-wall audiophile quality, Craft Recordings celebrates the 60th anniversary of Sonny RollinsWay Out West with a deluxe packaged 2LP set, featuring four previously unreleased (a sharper toned "There Is No Greater Love" and Take 1 of the title track are fine listens) as well as three alternate takes, new historically rich and contemporaneous liner notes by jazz scholar and radio host Neil Tesser and rare photos from the iconic lens of William Claxton.
Though he had worked with Thelonious Monk and Red Garland, Rollins just couldn't settle on a pianist that would leave him the adequate space he felt his horn needed to express all the ideas running around his head (he called it strolling.) So it was at three o'clock AM on March 7 of '57 at Contemporary Studio in LA, that Rollins, along with the ever pliable and reliable bassist Ray Brown and drummer Shelly Manne providing effortlessly minimalist rhythm that Rollins set out on his first trio minus piano experiment, an experiment that would have landmark future results with explosive A Night At The Village Vanguard. Consistently hitting peak improvisation on such loopy, unexpected material as "I'm An Old Cowhand" and "Wagon Wheels" is what marks this disc as iconic. That and the and way too cool cover of the sax colossus himself amongst the cactus and tumbling tumbleweeds in cowboy threads brandishing his killer horn.
Track Listing: I'm an Old Cowhand; Solitude; Come, Gone; Wagon Wheels; There is No Greater Love; Way Out West; Monologue: You Gotta Dig The Lyrics (previously unreleased); I'm an Old Cowhand (Alternate Take); Dialogue: Tilting Come, Gone (previously unreleased); Come Gone (Alternate Take); There Is No Greater Love (alternate, previously unreleased); Way Out West (Take 1, previously unreleased); Way Out West (Alternate Take).
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it. Not in this case! It seems that with every explanation, new questions arise exponentially! It's like the universe is constantly inviting (challenging) you to grow musically.