All About Jazz

Home » Articles » Interviews


Walter Smith III: Jazz Explorer

R.J. DeLuke By

Sign in to view read count
"It makes me have to really think about the music that I am working on. Ways of approaching composition. Ways of approaching improvisation. Ways of approaching ensemble playing," Smith says. "All the topics you need to cover. I don't like to just do it on the fly. I like to think about it and prepare. That whole process, when there's a point to me doing it, it becomes a very informative experience about how I think about things—things that I should do differently or try differently. Then getting the experience of the feedback of doing it in real time, where it's not necessarily a project I'm doing. I learn a lot about how to go about doing those things, both in the compositional process and the improvisational process.

"One of those things that's interesting is all the people I've played with, and you're traveling all the time. You spend time in airports, on trains and at sound checks. You're sitting there and very rarely do you talk about, 'How do you approach doing this?' Because you want to have a little bit of a break from the musical part of your day-to-day thing. But in the school aspect, everyone is constantly asking questions. It's interesting to have that back and forth because, clearly, I don't know everything. A lot of times students will ask questions or make suggestions and I'm like, 'Oh, that makes so much sense.' I feel when I'm there, in addition to the time I'm putting in on my saxophone, practicing or composing, my mind is working so much in a positive way to get ideas and figure things out like that."

"So, for me," adds Smith, "I feel like the more I teach, the better I play. And the more I play, the better I teach. It's a symbiotic relationship, in a way."


Related Video

comments powered by Disqus

CD/LP/Track Review
  • Twio by Phil Barnes
  • Twio by Roger Farbey
CD/LP/Track Review
Take Five With...
CD/LP/Track Review
Read more articles


Whirlwind Recordings Ltd

Still Casual

Still Casual

Self Produced



Criss Cross

Casually Introducing Walter Smith III

Casually Introducing...

Fresh Sound New Talent


Related Articles

Read Sidney Hauser:  Justice and Jubilation Interviews
Sidney Hauser: Justice and Jubilation
by Paul Rauch
Published: July 17, 2018
Read Michael Leonhart: Surfing on an Orchestral Wave Interviews
Michael Leonhart: Surfing on an Orchestral Wave
by Ludovico Granvassu
Published: July 16, 2018
Read Nicky Schrire: Permission to Be Yourself Interviews
Nicky Schrire: Permission to Be Yourself
by Seton Hawkins
Published: July 9, 2018
Read Monika Herzig: A Portrait of a Hero Interviews
Monika Herzig: A Portrait of a Hero
by Hrayr Attarian
Published: July 3, 2018
Read Thandi Ntuli: On Exile Interviews
Thandi Ntuli: On Exile
by Seton Hawkins
Published: June 28, 2018
Read Ron Korb: Pan-Global Flutist Interviews
Ron Korb: Pan-Global Flutist
by Rob Caldwell
Published: June 27, 2018
Read "Satoko Fujii: the Gift of Music" Interviews Satoko Fujii: the Gift of Music
by Angelo Leonardi
Published: March 7, 2018
Read "Chad Taylor: Myths and Music Education" Interviews Chad Taylor: Myths and Music Education
by Jakob Baekgaard
Published: April 9, 2018
Read "Eric Ineke: Surveying the European Jazz Scene" Interviews Eric Ineke: Surveying the European Jazz Scene
by Victor L. Schermer
Published: September 6, 2017