Jerry Vivino has put together a fine straight-ahead session that also includes New Orleans funk, Latin jazz, bossa nova and highly creative improvised romps in several other styles.
Vivino's thirteen years with the Max Weinberg 7 in support of Conan O'Brien's late night television show has helped to convince him that variety works. Working in and around New York since he was a teenager, Vivino has learned how to communicate on many levels. After an appearance on the TV show by singer Keely Smith, the saxophonist hooked up with Smith in a musical partnership that has lasted six years. He plays alto sax, flute, alto flute and sings on this album, but it's his big fat tenor saxophone sound that cements the musical bond beyond doubt.
Walkin' with the Wazmo features plenty of excitement from Vivino's all-star band, and it comes from vastly different directions. Lew Soloff burns up "Cat's 'R' Us with a soaring trumpet feature that lingers. "Dorado Beach features the leader in a torrid Latin jazz affair that smokes incessantly. "Walkin' with the Wazmo and "The Fried Piper allow the band to strut comfortably with a contemporary funk mood that burns with soul power.
"Bellissima features guitarist Pete McCann and trombonist Mike Fahn in a lyrical bossa nova mood along with the leader's mellow flute and tenor saxophone. Throughout the program, Vivino steps forward with plenty of variety to give his audience a well-rounded set. Every track is a high point on this album, which comes recommended for its dedication to jazz's mainstream.
Track Listing: Pent Up House; Walkin
Personnel: Jerry Vivino: tenor saxophone, alto saxophone, flute, alto flute, vocals; Brian Charette: piano, Hammond B-3 organ; Ken Levinsky: piano; Lew Soloff: trumpet; Michael Morreale: trumpet, flugelhorn; Mike Fahn: valve trombone; Kermit Driscoll: upright bass; Mike Merritt: Fender bass, upright zeta, upright bass; Shawn Pelton, James Wormworth, Ray Marchica: drums; Fred Walcott: percussion; Jimmy Vivino, Peter McCann, Greg Skaff: guitar; Tony Ferrari: vocals.
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.