Trumpeter David Weiss incorporates a heavy-duty guitar assault into this exhilarating program designed with a diverse track-list, comprised of originals by jazz luminaries Wayne Shorter, Joe Henderson, John McLaughlin and Tony Williams among others. The trumpeter's Point of Departure ensemble generates a neo-jazz fusion panorama, coupled with an emphatic integration of progressive jazz amid references to bop and a few excursions into the outside realm. Besides the triad of outstanding guitarists, Weiss yields a big payout from all-star saxophonists Myron Walden and J.D. Allen also appearing on select tracks.
The band launches the festivities with guitarist John McLaughlin's Mahavishnu Orchestra piece "Sanctuary," augmented by guitarist Travis Reuter's nimbly plucked ostinato phrasings, complemented by effervescent horns and drummer Kush Bradley's sweeping press rolls. Here, Walden's soaring lines insinuate Mahavishnu's intensifying gait as guitarist Ben Eunson commandeers soloing activities and basically tears it up as the group marches towards the finale. But Henderson's "Gazelle" is a tour de force for Weiss and Walden who uplift the primary theme with hearty improvisational segments while singing the melody line in unison along with Eunson, leading to a rather focused rampage during the bridge.
Weiss and associates spin one-time Blue Note Records artist, bop pianist Kenny Cox' "Sojourn" into a dynamo, built on variable cadences and the rhythm section's punishing jaunts, abetted by Reuter's edgy crunch chords. And they close out the program with Williams' "The Mystic Knights of the Sea"performed with the chutzpah and impact most of us would expect via spirited horns choruses and Abadey's lyrical upfront drumming, built on snappy snare hits and rippling cymbals swashes. Sure enough, Weiss and his ensemble take the listener on a whirling journey, anchored by oscillating currents and hard-hitting escapades, equating to an album underscored with alluring qualities.
Track Listing: Sanctuary; Two Faced; Multidirection; Noh World; Gazelle; Sojourn; Pee Wee;
Sonhos Esquecidos (Lelo Nazario); The Mystic Knights of the Sea.
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it
I love jazz because, even after many years as a professional performer, teacher and author on the subject, this music still possesses the element of deep mystery and surprise. I recently heard somebody say that if you can explain something, you take the mystery out of it. Not in this case! It seems that with every explanation, new questions arise exponentially! It's like the universe is constantly inviting (challenging) you to grow musically.