28 years into their existence, James Jabbo Ware and The Me We & Them Orchestra recorded their first live album, which has just been released. What is time to the muse that was inspired by Duke Ellington? Days, months, and years flit by, but the music stays timeless.
The ten tunes here make up the context. Ware does not need a lengthy outing to make his statement, and so they're mostly compactexcept for the last selection, which gets an extended workout of over 24 minutes. But he breaks it up into sections, each a sketch that pins its own form but nevertheless forms an integral part of the wholeas are the strings and the French horns that were brought aboard for this performance.
On the first track, the yawning arc of the saxophone is countenanced by the smooth underlying lines of the French horn, a trajectory that comes up front later after the bass marimba provides a brief interlude. The lines shift constantly, the segments added through parallel movement and dialogue. The dispersal of form and a cacophonous whirl lead into "Strange Land, but even as calm descends and the strings move in, dissonance persists.
A loping line on the bass is the herald for the piano and the blues when they get "In The Spirit Of. There is no hard guessing as to whose spirit is being made manifest. Ellington's mark is here: in the arrangements, in the way the horns come in, in the whole piece of work. And for sure, the title tune is top notch!
There's more blues on "Don't Forget Who I Am, the opening fanfare followed by Hilton Ruiz's ruminations on the form, then silence broken by the interjection of Bill Lowe's bass trombone. The arrangement keeps the thematic concept evolving, the trumpets creating facile lines with just a hint of a wail, plus some wah wah and growl bringing in added stimulus. A perfect close to a fine record.
Track Listing: Intro #1 (In The Beginning); Strange Land; And Here we are again; Interlude; Saint Louis
Train; Give Me A Moment; In The Spirit Of; Intro #2 (Free At Last); The Ultimate Force;
Donít Forget Who I Am.
Personnel: J.D. Parran: alto saxophone, clarinet: Paavo Carey: tenor saxophone, flute; Salim
Washington: tenor saxophone; Patience Higgins: baritone saxophone, bass clarinet; Eddie
Allen, Cecil Bridgewater, Chris Albert: trumpets; Clifton Anderson, Richard Harper:
trombones; Bill Lowe: bass trombone, tuba; Marshall Sealy, Mark Taylor: French horns;
Gwendolyn Laster, Carolos Baptiste: violins; Crystal Garner, Melanie Dyer: violas; Clarissa
Howell, Nioka Workman: cellos; Leon Dorsey, David Moore: double bass; Hilton Ruiz:
piano; Warren Smith: drums; Thurman Barker: percussion; James Jabbo Ware: conductor.
I met Erroll Garner at The Theatrical Grill in Cleveland a few hours before our family was to see him on stage at Severance Hall. That was 45 years ago and I was only 15! I spotted him nearby in a booth wearing a beautiful tux with a great white napkin draped over him! I was a little nervous as I approached him (he was eating shrimp cocktail) and said, Mr
I met Erroll Garner at The Theatrical Grill in Cleveland a few hours before our family was to see him on stage at Severance Hall. That was 45 years ago and I was only 15! I spotted him nearby in a booth wearing a beautiful tux with a great white napkin draped over him! I was a little nervous as I approached him (he was eating shrimp cocktail) and said, Mr. Garner, I love playing the piano... is there any advice you could give me?'' He hesitated, then looked back at me and said, Keep playin' and don't stop!'' That was great advice because at 60 years old, I'm still playin' and haven't stopped!