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Enthusiastic youth coupled with solid musicianship and strong compositions offer the winning edge by this Brooklyn, New York-based ensemble that started in 2003 as a bop unit inspired by Julian "Cannonball" Adderley. Time marches on and now this quintet delves into that opaque line that teeters between jazz-rock and jazz-fusion. Recorded to two-inch tape, the band projects a massive wall of sound, especially during the driving and rhythmically forceful pieces. It's a judicious representation of the artists' distinct stylizations that casts a cohesive, group-centric sound.
Featuring deep grooves, climactic arrangements, crunching guitar chords and pulsating beats (among other attributes), this new program yields many benefits such as memorably melodic themes. On "Vast Pt. 2," the soloists bestow a blitzing aerial bombardment, topped off by Dylan Heaney's torrid sax solo and pianist Mike Cassedy's prominent lower register block chords. In various movements, the rhythm section's pummeling back beats serve as a colossal plane for the front line, offset by temperate jazz-rock motifs, and hued with Simon Kafka's breezy jazz voicings.
The unit renders a string of polytonal contrasts amid Cassedy's edgy electric piano voicings and atop up-tempo slash and burn workouts. However, these compositions sustain interest, and it's not all about technical gymnastics. These young instrumentalists convey savvy beyond their years, a factor that underscores this entire program. Moreover, they lower the pitch during the extended piece and finale, "Brooklyn," via moody passages and brief sojourns into the free zone.
Where others of this ilk might simply grandstand via excessive riffing and forgettable pieces, this lot merges disparate structural and improvisational elements into an all-embracing methodology. Vast is an unanticipated musical treat for 2009.
Track Listing: The Triumph; Catalyst; Vast - Pt. 1; Vast - Pt. 2; Over the Falls; Comet; Daffodil 11; View from Above; Gangster Rap; Brooklyn.
Personnel: Dylan Heaney: alto saxophone, tenor saxophone, flute; Simon Kafka: guitar; Mike Cassedy: piano, Fender Rhodes, Wurlitzer; Benjamin Campbell: acoustic bass, electric bass; Jordan Perlson: drums, percussion; Phil Rodriguez: trumpet (1, 2).
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.