Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
151

Natalie John: Unveiled

C. Michael Bailey By

Sign in to view read count Views
Natalie John: Unveiled Listening to Natalie John's Unveiled is a jarring, almost alarming experience. It is comparable to a first listen to Tony Williams's Emergency (Polydor, 1969), or Miles Davis on the verge, with his "Lost Quintet" (Chick Corea, Dave Holland, Jack DeJohnette, and Wayne Shorter), on the recently uncovered It's About That Time (Columbia, 2001). Those recordings presented music that was in-your-face on the blade edge of drastic change . A similar, though more diffuse trend is happening today in jazz vocals, and Natalie John has staked out a claim on her parcel of the expanding genre.

Rodgers and Hart's "I Didn't Know What Time It Was" appears harmless until played, beginning with Dominic Fallacaro's electric piano on the verge of too much gain and a militantly marching drum beat from Stuart Bidwell that has more in common with U2's "New Year's Day" than any 1939 show tune. This is not exactly your parent's version of this standard. John sings with a sardonic flair, perfectly aware that her interpretation is both brilliant and groundbreaking. Fallacaro delivers an acoustic piano solo that is both expansive and flowing, and traditional, but the coda returns to the iconoclastic reading at the song's beginning.

Joni Mitchell's "Hissing of Summer Lawns" never loses sight of it being Mitchell song, but John adds a spectral stare to the piece, buoyed again by the soft fuzziness of Fallacaro's electric piano.

John penned the rest of the disc's eight selections, her orchestral and modern writing coupled, most often, with Fallacaro. "Veils of Innocence" sounds more standard than the standard, given to flights of background vocal experimentation, but the real eyeopener is "Aphasia," an oddly timed cataclysm, with Fallacaro's electric piano and Travis Reuter's guitar simpatico in accompanying John's roaming, schizo-form melody. John and Reuter spar, giving way to a guitar solo out of a cutting contest between John McLaughlin and Shawn Lane in an opium dream. This is what exciting music is: challenging and eye opening.


Track Listing: I Didn't Know What time it Was; Veils of Innocence; Songs From a Greyhound Bus; Let Them Be; The Hissing of Summer Lawns; Aphasia; Before It Can Begin; Nothing Else.

Personnel: Natalie John: vocals; Dominic Fallacaro: keyboards; Aidan Carroll: bass; Stuart Bidwell: drums; Travis Reuter: guitar.

Year Released: 2010 | Record Label: Self Produced | Style: Modern Jazz


CD/LP/Track Review
Read more articles
Unveiled
Unveiled
Self Produced
2010
buy

More Articles

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.