Yximalloo is a comet streaking across the societal landscape. The fact that for over a decade he has dallied every now and then to pour mirth and scorn on a world so absorbed by commercialism that it has begun to devour itself may now seem prophetic. His work is elegantly absurd and hypnotic. It occupies the very edge of the artistry where mirrors reflect the insanity of materialism. It is real and it is also a parody of the swathe of the bright commercialism that attracts human sensibilities like the proverbial fly to paper.
This iconoclastic Japanese solo artist has been plowing a lonely furrow for over a decade, but has stepped in from the cold with Unpop, his first record produced for mass release. He may not be the first experimentalist to use electronics to make a musical statementSun Ra and several others have done so rather successfully in the past. But no one has put a match to electronica the way he has, turning it into a sonic boom. On this record he does more than merely serve notice that commercialism is like a bright shiny metallic animal that is feeding on the very human beings that feed on it.
Yximalloo may be funnyand much of the music is humorous in a robotic sort of waybut it is also deadly serious in a Dadaist sort of way. To that extent he combines a graphic sensibility with a musical one, becoming a sort of cubical Dadaist himself. Or perhaps not... for it seems he is just as likely to weave a tapestry of electronic sound as to deconstruct it. As a result, he is just as likely to ascend as to descend, like a Duchamp or a Maurits Escher. However he perceives himself, he is apt to make an about-face and present an exact opposite of what he postulates.
This record progresses in a superbly zigzag manner as it crosses a path less-traveled, but always holding up a sonic mirror in which appears society that isalmost in a binary fashionbusy eating away at itself.
Track Listing: Peter is Back; Linie Voezo; Lav, Sucess & Helth; Watabokkuri #2; The Poete; Hamberged Angel; A Slice of Darkness; Any Sense; Slick Hands; Sex and Sushi #1; There is a Mountain; Puja; Samui; Shibuya; Plowed Land; Trial; Qabala #1; Big Man; Person to Person; Full of It; Art of War; Juju Lul; Men on Corner; Necro Man; Watabokkuri #2.
Personnel: Yximalloo: Dell Latitude c600; pStan's lyrics (1); Chris Manz: piano (16).
I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy
I grew up listening to my father's Jazz records and listening to radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy. So music and jazz specifically have been a part of me since I was born. I love and perform in all styles of music from around the world. Improvisation in jazz is what drew me in, and still does as well as other genres that feature improvisation. A group of great musicians expressing themselves as one is the hallmark of great jazz and in fact all great music.