The youthful composer/arranger Chie Imaizumi has released a debut album after befriending trumpeter Greg Gisbert along the way. After making a demo from her performance at the 2004 North Sea Festival, she sent it to the Denver-based trumpeter who picked up the musical ball and ran all the way with it per selection of the musicians, rehearsals and full production of the album with Capri Records.
Originally an organist at age four, the Japanese-born Imaizumi switched to piano while studying at the Berklee School of Music where she won the Herb Pomeroy Award in 2003, and has taken this opportunity to showcase her abilities as a writer and arranger. The musicians aboard are generally all given generous solo opportunities and include such well known names as trumpet Gisbert as well as Ron Miles, baritone sax man Gary Smulyan and pianist Jeff Jenkins.
Many of the songs were written in memory of specific occasions. The opener, "A Change for the Better," begins as a deceptive tone-poem ballad and then quickly shifts into an up-tempo battle between Smulyan's baritone sax and Gisbert's trumpet. "The More the Merrier" brings back N'awlins Marching Band Second Line sounds effectively per Alex Heithlinger's plunger trombone, who is then matched by Jenkins' boogie and blues piano.
"Unfailing Kindness" was written as a thank you to Chie's parents for their support of her career and brings the work of John Gunther's soprano sax and Peter Sommer's tenor sax to the fore. The prettiest tune is "Lonely," which was composed about her separation from friends and family on a three month European tour. Guitarist Mike Abbott makes the beautiful melody statement, and solos while Greg Gisbert plays a most attractive flugelhorn.
The album wouldn't be complete without a flag-waver bebop tune and the aptly titled "Round and Round" is that example. Primarily a showcase for Gisbert's hot trumpet work along with Smulyan's baritone, Manavihare "Mimy" Fiaindratova's percussion and the drum work of Paul Romaine. The one tune that seemed out of place was a vocal of "Another Day," sung by Jeremy Ragsdale.
All in all, the finished product offers a pretty good snapshot of Chie Imaizumi's current status as band leader as well as composer/arranger. Her music is pretty much mainstream without any pretensions of the avant-garde or retro aspects of new artists. The variety and attractiveness of the tunes are apparent and she should be well-prepared for a second venture.
Track Listing: A Change For The Better; The More The Merrier; Unfailing Kindness; Lonely...; Round and Round; Adversity; Another Day.
Personnel: Chie Imaizumi: composer, arranger; Greg Gisbert, Ron Miles: trumpet, flugelhorn; John Gunther: alto, soprano saxophone, flute, didgeridoo; Peter Sommer: tenor, soprano saxophone, flute, clarinet; Gary Smulyan: baritone saxophone, bass clarinet; Alex Heitlinger: trombone; Mike Abbott: guitar; Jeff Jenkins: piano, Hammond B3 organ; Mark Simon: bass; Paul Romaine: drums; Manavihare Mimy Fiaindratovo: percussion; Jeremy Ragsdale: vocal (7).
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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