Singer Barbara Sfraga's sophomore effort draws from the artist's strength: retooling well-worn classics into lean arrangements that highlight her mastery of phrasing and rhythm. Although guitarist John McLean adds a bit of spice to several cuts, Sfraga is most at home riffing off her rhythm section that includes drummer Paul Wertico, percussionist Kevin Patrick and bassist Chris Sullivan. It is Sullivan whom Sfraga plays off best and the two have a keen insight into each other's style.
An extended version of Hoagy Carmichael's vocally difficult "Stardust" begins the CD. Its sinewy a capella melodic statement is joined by a tropical rhythm as its lyrics unhurriedly tumble forward to give this most classic of love songs its due. Breezy Latin versions of "I've Grown Accustomed to His Face" and the usually sedate "You've Changed" evidence Sfraga's ability to bring a new awareness to very familiar melodies. Three Ellington classics are also given new faces: "Mood Indigo" is presented with long sensual phrasing, "Sophisticated Lady" has a pleasantly surprising almost happy mood, and "Prelude to a Kiss" is a tour de force for Sullivan as he gets down and funky providing a perfect counterpoint for Sfraga's vocal.
The sole self-penned number, "Never Walk Away," is a full-speed-ahead percussive adventure whose clever contemporary lyrics let the intended target know where he stands. Two intriguing inclusions are Dylan's 1980 ode to spiritual redemption, "Every Grain of Sand," and singer/songwriter Angela Bofill's titular inspiration "Under the Moon and Over the Sky." While the latter is primarily an expansion of the original's exotica feel, Dylan's under-recorded gem is given reverential treatment reminiscent of Joan Baez's best lyrical interpretations of his work. A look Under the Moon reveals that Sfraga's star is rising.
Track Listing: 1. Stardust 2. I've Grown Accustomed To His Face 3. Mood Indigo 4. You've
Changed 5. It Might As Well Be Spring 6. Under The Moon and Over The Sky 7.
Sophisticated Lady 8. Prelude To A Kiss 9. Never Walk Away 10. Every Grain of
Personnel: Barbara Sfraga: Vocals;
John McLean: Guitars;
Paul Wertico: Drums;
Christopher Dean Sullivan: Acoustic Bass, Indigenous Tribal Nuances;
Kevin Patrick: Percussion.
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz.
Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports.
It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!!
When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so jazzy. It's because I understand Blue Notes, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd.
I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students.
My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together!
Most of the people that I know today do not get jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it.
In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather.
I love John Kelman's articles. They are so insightful and well-constructed!
Thank you all for doing what you do.