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Uh! Oh! joins Wycliffe Gordon's Slidin' Home (N-H 2001) and Byron Stripling's StriplingNow! as the third in the Nagel-Heyer 2000 series of contemporary mainstream jazz. Known principally for documenting the traditional mainstream of Louis Armstrong, the Hamburg-based Nagel-Heyer spreads its considerable wings with this series. Uh! Oh! is the most fully realized contemporary offering to date from the label, showcasing the considerable composition talents of altoist Dave Glasser. Adding old timers Clark Terry and Barry Harris elevate these sides into a superstar stratosphere. The results are purely empathic, the principals all interacting at the same high level that provides the listener a truly pleasurable experience, particularly on the ballads. But don't think the slow stuff will slow you down, Glass and company can play Bebop ("52nd Street Theme) and can otherwise swing (title track, "the Nearness of You"). Roy Hargrove is beautiful on the Glasser-penned ballad "Charise" (obviously gearing up for his own Verve ballad offering). All in all, a most interesting recording with plenty of swing and romance.
Track Listing: Uh! Oh!; Bye-Yard; A Touch of Kin; Intimacy Of The Blues; Blue Rose; Charise; 52nd Street Theme; FNH; The Nearness Of You; CT; Tranquility; Powell's Prance; Jumpin At The Woodside. (Total Time: 66:18)
Personnel: Dave Glasser: Alto Saxophone; Clark Terry Trumpet, Flugelhorn; Harry Harris: Piano; Benny Powell: Trombone; Frank Wes Tenor Saxophone; Peter Washington: Bass; Curtis Boyd: Drums; Roy Hargrove: Trumpet, Flugelhorn.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...