Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

5

Billy Mintz: Ugly Beautiful

David A. Orthmann By

Sign in to view read count
Consisting of seventeen tracks spanning over two hours of playing time, Ugly Beautiful is a large, sprawling, wise, unflinchingly honest, powerful work of art. Billy Mintz's third recording as a leader—all of which were made in the most recent decade of a fifty-year plus career—stubbornly refuses to conform to stylistic boundaries and gleefully defies expectations of any kind. The record demands to be taken on its own terms. Trying to pin labels or anticipate the course of almost any track on the diverse two-disc set misses the point entirely. It's obvious that Mintz and company are working without a safety net, so why not the listener as well? There's too much going on in the profusion of compelling collective and individual performances to fret about what goes where in relation to the jazz canon.

The recording reflects Mintz's ease in assuming the overlapping roles of composer, bandleader and drummer. He's a composer who likes to revisit his own work. "Flight," "Dit," Shmear," "Cannonball," "Ugly Beautiful," "Relent," "Retribution," and "After Retribution" appear on either Mintz Quartet or The 2 Bass Band...Live, as well as Ugly Beautiful. It's apparent that on the current project a band of intrepid peers—tenor saxophonist John Gross, tenor and soprano saxophonist Tony Malaby, pianist, Hammond B3 organist, and electric keyboardist Roberta Piket, and bassist Hilliard Greene—who have played with Mintz for a collective total of seventy-five years, have risen to the occasion and discovered novel ways of animating his work. Separate versions of "Dit," "Flight," and "Cannonball" on Ugly Beautiful are indicative of the malleability inherent in his writing; in other words, there isn't any definitive way to interpret the themes, and each rendition stands on its own merits. Moreover, Mintz's drums are built into some of the compositions, particularly "After Retribution" and "Cannonball."

Mintz's music comes in various shapes and sizes. On a track-by-track basis, splendid, stand-alone melodies coexist with terse and/or rapid-fire declarations that easily give way to collective and/or individual improvisation. The satisfying brevity of some cuts ("Angels, "Vietnam," "Dirge," "After Retribution") contrasts with others that unfold gradually ("Flight (Ballad)," "Tumba," "Love and Beauty," "Retribution"), or those that contain large swaths of slippery and/or furious free playing ("Shmear," "Dit," "Relent"). Piket's Wurlitzer, Clavinet and Fender Rhodes (as well as acoustic piano) are overdubbed into "Umba" and "Tumba." "Flight" includes Mintz's sax soli which entails the overdubbing of Malaby and alto saxophonist Anton Denner.

In the end, attempting to describe the nuts and bolts of Ugly Beautiful, or trying to capture its essence in terms common to a typical review of a jazz recording, may be doing it a disservice. The record's power and glory is a lot like the exceptional live performances that many of us have experienced at one time or another; in which, for an hour or two, the material world and our day-to-day realities are rendered insignificant. The musicians fully give of themselves and offer an unusual and compelling gift; something genuinely unfamiliar, transcendent, and profoundly unsettling.


Track Listing: CD1: Angels; Vietnam; Dit; Flight; Flight (Ballad); Cannonball; Smear; Dit (alternate take); Umba. CD2: Tumba; Dirge; Love And Beauty; Ugly Beautiful; Relent; Retribution; After Retribution; Cannonball (extended).

Personnel: John Gross: tenor saxophone; Tony Malaby: tenor and soprano saxophones; Roberta Piket: piano, Fender rhodes; Nord Keyboard, Hammond B3; Hilliard Greene: bass; Billy Mintz: drums.

Title: Ugly Beautiful | Year Released: 2017 | Record Label: Thirteenth Note Records

Tags

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

CD/LP/Track Review
Read more articles
Ugly Beautiful

Ugly Beautiful

Thirteenth Note Records
2017

buy
The 2 Bass Band...Live

The 2 Bass Band...Live

Thirteenth Note Records
2015

buy
Mintz Quartet

Mintz Quartet

Thirteenth Note Records
2013

buy
Date Detail Price
Dec15Sat
20:00
Lena Bloch & Feathery
Ibeam
Brooklyn, NY
$15

Related Articles

Read World Gardens CD/LP/Track Review
World Gardens
by Dan McClenaghan
Published: December 14, 2018
Read Henry II CD/LP/Track Review
Henry II
by Ian Patterson
Published: December 14, 2018
Read Conference Of The Mat/ts CD/LP/Track Review
Conference Of The Mat/ts
by Mark Corroto
Published: December 14, 2018
Read Hidden Treasures Vol. 1, Monday Nights CD/LP/Track Review
Hidden Treasures Vol. 1, Monday Nights
by Chris Mosey
Published: December 14, 2018
Read Âme Sèche CD/LP/Track Review
Âme Sèche
by Glenn Astarita
Published: December 14, 2018
Read Fred Hersch Trio '97 @ The Village Vanguard CD/LP/Track Review
Fred Hersch Trio '97 @ The Village Vanguard
by Doug Collette
Published: December 13, 2018
Read "Omara" CD/LP/Track Review Omara
by Roger Farbey
Published: February 3, 2018
Read "This Was Now" CD/LP/Track Review This Was Now
by Dan McClenaghan
Published: February 27, 2018
Read "Twinscapes Vol. 2: A Modern Approach To The Dancefloor" CD/LP/Track Review Twinscapes Vol. 2: A Modern Approach To The Dancefloor
by Dan McClenaghan
Published: October 13, 2018
Read "At synge verden ind i en ny og mangefoldet tid" CD/LP/Track Review At synge verden ind i en ny og mangefoldet tid
by Jakob Baekgaard
Published: May 13, 2018
Read "How We Fall" CD/LP/Track Review How We Fall
by Mark Sullivan
Published: July 6, 2018
Read "While We Still Have Bodies" CD/LP/Track Review While We Still Have Bodies
by Tyran Grillo
Published: February 23, 2018