All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
After spending 20 years performing under the leadership of others, British brothers Brad and Elliot Mason step out front, taking charge of an all-star band that redefines the trumpet-trombone front line of drummer Art Blakey's Jazz Messengers of the '50s and '60s. The round and mellow combination of Brad Mason's trumpet with Elliot Mason's trombone sounds almost like the early Crusaders.
The title of "Stage Pints" is an anagram of John Coltrane's "Giant Steps," Elliot Mason's resulting rearrangement beginning with the familiar tune played in reverse over the original bass line, reharmonized and performed alternately in 3/4 and 4/4 time. Both Masons give angular, if frenetic solos, Elliot's blowing out the top of the song. Potter exerts his muscular tone over the piece's well-worn and complex harmony of the piece, bringing the original's importanceand this re-imagininginto proper focus. When this piece hits 4/4, it takes off with a burn.
Personnel: Brad Mason: trombone; Elliot Mason: trumpet; Antonio Sanchez: drums;
Scott Colley: bass; David Kikoski: piano; Chris Potter: saxophone.
Jazz is a continuing revelation. The best show I ever attended was the
Roots Picnic at Penn's Landing in Philadelphia, or was it Robert
Glasper's Experiment at Lincoln Center, or was it Chick Corea with
Brian Blade at Oberlin College? Most of all I enjoy playing guitar and
composing beats with my Brooklyn-based group Space Captain.