Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

83

Howard Riley: Two is One

John Eyles By

Sign in to view read count
Howard Riley is one of those musicians that we (those of us in the UK, that is) too easily take for granted. If he were flying in from some far-flung corner of the globe to perform, we'd be loudly singing his praises; as it is, we know he's great, but we don't shout about it often enough. This release provides a chance to remedy that a little.

Two is One is a near-flawless gem. It finds Riley duetting with himself for the first time in over a quarter of a century. In the studio, Riley improvised nine shortish pieces—none over eight minutes—and then immediately added a second piano part while reacting to the playback of the first. The resulting music—with the first part on the left channel and the second on the right—does not sound overdubbed; rather, it sounds like two players, totally tuned into each other's thoughts, improvising together spontaneously, without premeditation. The stimulus and response intertwine so well that without that channel separation, it would be almost impossible to determine which is which.

Riley draws on a vast reservoir of piano history here, so it would be possible to cite dozens of players whom the music calls to mind. The only one that Riley name-checks overtly is Monk on "Osoiretsim —not improvised, but based on a Monk piece [clue: reverse the title]. Elsewhere, from the fractured boogie train rhythms of "Doubling to the inside/outside duet of strings with keys on "With Strings, to the restrained melodic beauty of "After the Storm, there is a profusion of rich, varied music here, music to return to repeatedly and often.

Track Listing: Two is One; Closely; Empathy; Second Thoughts; Doubling; Osoiretsim: Hear and Now; With Strings: Unique; After the Storm.

Personnel: Howard Riley: two pianos overdubbed.

Title: Two Is One | Year Released: 2006 | Record Label: Emanem

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Album Reviews
Live Reviews
Album Reviews
Multiple Reviews
Album Reviews
Profiles
Extended Analysis
Interviews
Album Reviews
Read more articles
Live In The USA

Live In The USA

NoBusiness Records
2019

buy
Constant Change 1976-2016

Constant Change...

NoBusiness Records
2016

buy
10.11.12

10.11.12

NoBusiness Records
2015

buy
 Howard Riley & Jaki Byard - R & B

Howard Riley & Jaki...

Slam Productions
2015

buy

Related Articles

Read Caldera / Sky Islands Album Reviews
Caldera / Sky Islands
By Jakob Baekgaard
May 25, 2019
Read Baby, Please Come Home Album Reviews
Baby, Please Come Home
By Doug Collette
May 25, 2019
Read Reckless Heart Album Reviews
Reckless Heart
By Doug Collette
May 25, 2019
Read Fire Brigade Album Reviews
Fire Brigade
By Phillip Woolever
May 25, 2019
Read Day to Day Album Reviews
Day to Day
By Paul Naser
May 24, 2019
Read Theia Album Reviews
Theia
By Jim Worsley
May 24, 2019