Few musicians possess anything like the lyrical capacity of Steve Kuhn and Steve Swallow, whether as composers or performers and this album of duets recorded in 1995 achieves an ideal of empathy. With the compositions roughly divided between the two, there's as much emphasis on the construction of durable melodic material as spontaneous interaction.
Kuhn's opening "Gentle Thoughts" immediately achieves a limpid beauty, a vaguely Oriental theme that suggests light shimmering on water, while his "Two by Two" manages to reanimate traditional blues lines with sheer good spirits and just the lightest touch of ironic bluster. A triptych of Swallow compositions follows, with Kuhn buoyantly exuberant on "Remember," before the composer supplies the most guitar-like of electric bass solos, providing a slightly dissonant counterfoil to Kuhn's ebullience. Some of the best bop composersTadd Dameron, Herbie Nicholsseem to underpin "Wrong Together," a somber theme with a sprightly undercurrent that testifies to Swallow's ability to construct compound moods with subtle harmonic suggestion. There's more of the same in his familiar "Eiderdown," a fine performance of a genuinely memorable tune.
Kuhn's "Lullaby" returns the two to the quiescent grace of the opening with Swallow achieving a glassy, resonant sound. There's a kind of Latin melodrama to Swallow's "Ladies in Mercedes," Kuhn's bright, soaring lines and Swallow's resilient underpinnings summarizing the duo's strengthan ability to develop complex harmonic dialogue with grace and wit. Latin elements are even more pronounced in Kuhn's passionate "Deep Tango" and the brisk frolic of his "Mr. Calypso Kuhn." Kuhn's spoken-word performance of his "Poem for #15" recalls Swallow's deft settings of poems by Robert Creeley and focuses the recording's emotional intensity, suggesting how often this is music about something. In all, it's a superior performance by two masters of micro-ensemble intimacy.
Track Listing: Gentle Thoughts; Two by Two; Remember/Wrong Together; Eiderdown; Lullaby; Ladies in Mercedes; Deep Tango; Poem for # 15; Mr. Calypso Kuhn; Emmanuel.
Personnel: Steve Kuhn: piano; Steve Swallow: electric bass.
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.