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When Bad Luck comes in the shape of drummer Christopher Icasiano and saxophonist Neil Welch, it can be a pretty good thing. They met at the University of Washington and, driven by an interest in improvised music, began a musical partnership. Both are fearless navigators of the unknown and communicate with an intuitive sense of empathy. Their music takes them across a wide panorama, over which they forge acoustic unions or use electronics to expand the dimension,all aspects given free rein on the two-disc Two. Either way they have something interesting to say.
The first disc, Bats, has seven improvised tracks that run for just over 43 minutes, culled from a six-hour recording session. Welch sticks to his saxophones, often unleashing a fiery fusillade of spirals. He holds nothing back when imposing a welter of sounds in ramped-up intensity, or in a seemingly forlorn cry. His freewheeling excursions are well met by Icasiano, who is no slouch as he churns out a whirling bed of rhythm. To give unfettered rein without vision would be pushing the boundaries out of focus. Welch balances his thrusts with the heavy barrages countermanded by a more calculated advance that serves to give the music a greater presence and power. This works particularly well on "Flare" and "Salt," the latter actually carrying a discernible melody.
Josephine, the second CD, opens the door to more instruments, a greater reference to melody, and quite a contrast in mood. The glockenspiel casts a crystal sound on "Hourglass" before it is met in soft interweaving by the bass clarinet. Welch articulates "Friend & Foe" with feeling, as he lingers on the beautiful melody, adding occasional grain as he breaks the line before folding it in a soft blanket. Icasiano makes it all the more germane, playing the beat against the grain in this top-notch offering. The rest of the music stirs different embers, from the quicksilver lines of "Two" to the initial expansive silence of "Singing Bowl" that finds the reason for its existence in the gradual dawning of sound.
Bad Luck frees up a lot of ideas and spins them into appealing tales.
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com