When Bad Luck comes in the shape of drummer Christopher Icasiano and saxophonist Neil Welch, it can be a pretty good thing. They met at the University of Washington and, driven by an interest in improvised music, began a musical partnership. Both are fearless navigators of the unknown and communicate with an intuitive sense of empathy. Their music takes them across a wide panorama, over which they forge acoustic unions or use electronics to expand the dimension,all aspects given free rein on the two-disc Two. Either way they have something interesting to say.
The first disc, Bats, has seven improvised tracks that run for just over 43 minutes, culled from a six-hour recording session. Welch sticks to his saxophones, often unleashing a fiery fusillade of spirals. He holds nothing back when imposing a welter of sounds in ramped-up intensity, or in a seemingly forlorn cry. His freewheeling excursions are well met by Icasiano, who is no slouch as he churns out a whirling bed of rhythm. To give unfettered rein without vision would be pushing the boundaries out of focus. Welch balances his thrusts with the heavy barrages countermanded by a more calculated advance that serves to give the music a greater presence and power. This works particularly well on "Flare" and "Salt," the latter actually carrying a discernible melody.
Josephine, the second CD, opens the door to more instruments, a greater reference to melody, and quite a contrast in mood. The glockenspiel casts a crystal sound on "Hourglass" before it is met in soft interweaving by the bass clarinet. Welch articulates "Friend & Foe" with feeling, as he lingers on the beautiful melody, adding occasional grain as he breaks the line before folding it in a soft blanket. Icasiano makes it all the more germane, playing the beat against the grain in this top-notch offering. The rest of the music stirs different embers, from the quicksilver lines of "Two" to the initial expansive silence of "Singing Bowl" that finds the reason for its existence in the gradual dawning of sound.
Bad Luck frees up a lot of ideas and spins them into appealing tales.
All About Jazz & Jazz Near You were built to promote jazz music: both recorded albums and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, limited reopenings and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary step that will help musicians and venues now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the sticky footer ad). Thank you!
Get more of a good thing
Our weekly newsletter highlights our top stories and includes your local jazz events calendar.