Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

166

Roy Gaines and his Orchestra: Tuxedo Blues

Dan Bilawsky By

Sign in to view read count
Blues singers and big bands used to go together like bread and butter, but somewhere along the way the singers must have become superfluous in the minds of the leaders or the public. Nowadays, large ensembles are still happy to play the blues—be they well-known warhorses or obscure gems—but husky-voiced singers are rarely seen delivering a blues sermon with them. Vocalist-guitarist Roy Gaines remembers this bygone era quite well, since he was part of it. Gaines toured on a bill with Count Basie and Jimmy Rushing, played with Big Mama Thornton, backed Ray Charles, and even appeared on-screen, singing "Miss Celie's Blues (Sister)," in Steven Spielberg's award-winning 1985 film, The Color Purple.

With Tuxedo Blues, Gaines takes the music back to this sadly gone time, as he puts his vocals on top of a swinging big band and adds some stirring guitar work into the mix. The dozen tracks here focus on medium-to-slow blues swingers with well-tailored arrangements and some terrific piano work from none other than Joe Sample. While a similar sound runs across many of these tracks, certain moments stand out: the New Orleans-based polyphony at the end of "Miss Celie's Blues (Sister)" is one; Leslie Drayton's arrangement of Gaines' "Come Home," with some beautifully rendered harmonies at the top, is another.

Gaines' guitar playing is like that of a more spacious, cleaner-toned B.B. King, but he also knows how to inject some jazz-leaning material into the mix. His solo on the otherwise-raunchy "Thang Shaker" starts with some standard, blues-issued single note lines, but he gets away from this fairly quickly and makes some intriguing choices while toying with the beat a bit.

Gaines' vocals never dig too deep or fly too high, but he seems to enjoy the ride on every track. Occasionally, as on the jumping "Reggae Woman (Calypso Blues)" and "Miss Celie's Blues (Sister)," his vocals might have benefited from belting things out, but he chooses, instead, to walk the straight and narrow. While occasionally too polite in his delivery, Gaines' restraint isn't always a bad thing. A seductive sound in his voice and his willingness to keep things on an even keel helps to inject some well-needed soul into the mix. After working through eleven pieces, Gaines' most triumphant moment comes at the album's end, with an explosive performance of his "Outside Lookin In," his vocals soaring, the band packing a mighty wallop, and tenor saxophonist Wilton Felder delivering an electrifying solo. This song fits Gaines like a finely tailored tuxedo.

Track Listing: Send For Me; Blues From Hell; Good Old Days; Rats In My Kitchen; Thang Shaker; Inflation Blues; Miss Celie's Blues (Sister); Come Home; Reggae Woman (Calypso Blues); Rock With You; Route 66; Outside Lookin In.

Personnel: Fred Jackson, alto saxophone; John Stevens: alto saxophone, baritone saxophone (3, 4, 6-8, 10-12); Chris Mostert: tenor saxophone (6-8, 11); Don Roberts: tenor saxophone, baritone saxophone; George Harper: tenor saxophone (1, 2, 4, 5, 9, 10, 12); Glenn Berger: (4, 10, 12); Wilton Felder: tenor saxophone (10-12); Jackie Kelso: alto saxophone, clarinet (1, 2, 5, 7, 9, 11); Frank Fontaine: tenor saxophone (1, 2, 5, 9); John Pappenbrook: trumpet (3, 4, 6-8, 10-12); Rich Hoffman: trumpet; George Pandis: trumpet (3, 6-8, 10, 11); Nolan Shaheed: trumpet; Michael Harris: trumpet (1, 2, 4, 5, 9, 10, 12); Brad Steinwehe: trumpet (1, 2, 5, 9); Mike Zonshein: trumpet (6); Eric Jorgensen: trombone (1-5, 7-12); Kerry Loeschen: trombone; John Roberts: trombone (3, 4, 6-8, 10-12); Les Benedict: trombone, bass trombone; Mike Daigeau: trombone (1, 2, 5, 6, 7, 9); Art Hillary: piano (6, 9); Joe Sample: piano (1-9. 10, 11); Barry Zweig: acoustic guitar, banjo; Kevin Brandon: bass (1, 4, 5, 9, 10, 12); Edwin Livingston: bass (2, 3, 7, 8); Nick Sample: bass (6, 11); Raymond Pounds: drums; Onaje Murray: vibraphone (8, 12); Roy Gaines: guitar, vocals.

Title: Tuxedo Blues | Year Released: 2010 | Record Label: Self Produced


Tags

comments powered by Disqus

More Articles

Read Acknowledgement CD/LP/Track Review Acknowledgement
by Don Phipps
Published: November 23, 2017
Read Lessons And Fairytales CD/LP/Track Review Lessons And Fairytales
by Jerome Wilson
Published: November 23, 2017
Read The Child in Me CD/LP/Track Review The Child in Me
by Friedrich Kunzmann
Published: November 23, 2017
Read The Way Home CD/LP/Track Review The Way Home
by Joe Gatto
Published: November 23, 2017
Read Shadow Work CD/LP/Track Review Shadow Work
by Phil Barnes
Published: November 22, 2017
Read Veterans of Jazz CD/LP/Track Review Veterans of Jazz
by Mark Sullivan
Published: November 22, 2017
Read "Live Recitation" CD/LP/Track Review Live Recitation
by Jerome Wilson
Published: June 16, 2017
Read "Swiss Radio Days, Vol. 40 - Zurich 1959" CD/LP/Track Review Swiss Radio Days, Vol. 40 - Zurich 1959
by Chris M. Slawecki
Published: June 7, 2017
Read "Presence" CD/LP/Track Review Presence
by Dan Bilawsky
Published: June 13, 2017
Read "High Time" CD/LP/Track Review High Time
by C. Michael Bailey
Published: April 26, 2017
Read "Solstice" CD/LP/Track Review Solstice
by Budd Kopman
Published: December 17, 2016
Read "Moldy Figs" CD/LP/Track Review Moldy Figs
by Paul Rauch
Published: July 10, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Please support out sponsor