On George Taylor's second recording, Rain or Shine (Self Produced, 2014), the guitarist looked oddly like a square accountant. On his first recording, TroubleTown he looks like Texas surfer cleaned up in a blue blazer. On both recordings, Taylor plays some of the freshest throw-back Americana being played. Touted as a "Blues musician," and, while he does play the blues, he is not defined by them. Traditional country & western, folk, and Roy Orbison inform his music as much as Muddy Waters and Robert Johnson.
Speaking of Roy Orbison, George's "Carry Me Back" could have been out of that yodeling Texan's songbook, with the the guitars overdriven with Hugo Haggie's Hammond B3 slurring in the background. "Raining and Cold" uses a similar recipe, harkening to the late '40s or early '50s. Taylor's voice contains enough welcome midwestern dust to be believable and welcome. There is also something very contemporary about Taylor's song structures that make them vital today. He has a good ear for the hook and an immediately understandable guitar style.
The title cut comes off like a '70s rock ballad played in the fidelity of the 1950s. Taylor favors a slightly muddy background like that perfected on the Rolling Stones' Exile on Mainstreet (Rolling Stones, 1972). Taylor is adept with that high East Texas sound on "Till It Hurts." That said, the spirit of Roy Orbison looms large on this recording, and that is okay. What better place to start.
Track Listing: Carry Me Back; Cowboy State of Mind; Lovin' Around; Raining & Cold; TroubleTown; Feel Me Breathe; Better Than Time.
Personnel: George Taylor: guitars, vocals; Miguel Urbiztondo: drums; Hugo Haggie: bass, Hammond B3, Fender Rhodes; Alam Weatherhead: electric guitar.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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