All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Listening to Mat Maneri’s solo outing Trinity, one often finds one's imagination working overtime. The 32 year old violinist, son of jazz legend Joe Maneri, explores his unique vision of free chamber jazz without the aid of collaboratorsleaving wide-open spaces for the listener to fill in.
Maneri, a child prodigy, began a classical career only to abandon it to follow his interests in improvisation. During the mid-'90s, he made classic records on ECM and Leo with his father. His work with Joe Morris, Matthew Shipp, and others has also received critical attention. Last year's quartet record Blue Decco was a brilliant amalgam of improvisation and folkloric music.
On Trinity, Maneri takes cues from John Coltrane and Eric Dolphy. Like these two masters of outer design, Maneri maintains an overriding logic throughout each composition. His solo improvisations often suggest harmony and rhythm without stating them explicitly. Maneri, who has plugged in on previous records, sticks to an all-acoustic sound on the violin and viola. His cover of John Coltrane’s “Sun Ship” leaves echo traces of Elvin Jones's muscular drumming and McCoy Tyner’s keyboard prance in its moments of silence. Maneri's improvisation suggests much more than it states, drawing upon the listener's memory and peripheral vision. On Dolphy’s “Iron Man,” Maneri boldly explores the possibilities of his instrument, mirroring Dolphy's extended saxophone techniques. He frequently plays several lines at once, extending his harmonic and melodic range. The organic freedom of Maneri's playing on Trinity reveals the source of his energy: the architecture of composition combined with judicious use of space. Trinty is an admirable album of thoughtful and inspired improvisation.
Track Listing: Pure Mode; Almost Pretty; Trinity; Sun Ship; Blue Deco; Veiled; Iron Man; Lattice; November 1st; Lady Day
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com