136

Jacam Manricks: Trigonometry

Raul d'Gama Rose By

Sign in to view read count
Jacam Manricks: Trigonometry The reason that there is seldom a wrong note played by Jacám Manricks on Trigonometry is that notes, phrases and the spiraling flow of seemingly unending lines appear to be so extremely well thought-out that nothing could possibly sound out of place. To hear the saxophonist play in soft, dulcet tones that occupy the paler colors of a woodwinds player's tonal palette is like listening to an apothecary conjuring up a mysterious aural recipe that will ultimately produce some magic potion. This, in turn will set the troubled mind right.

Manricks displays outstanding control over his breath, expelling it in long, warm gusts. His curved glissandi are soulfully suggested amid the rapid, ringlets of sound that favor his longer lines. There are also times when Manricks resorts to shorter, probing phrases, played in sharp stabs at scales made in surprising, complex rhythmic figures. His playing is bold, leaping into the musical unknown—experimenting, not only with sparingly used modes, but also with odd time signatures. His probing, pensive playing always characterizes what he does, whether he is making melodic leaps from register to register, or leading his ensemble by sharing a breathtaking tonal conception.

Three tracks—"Trigonometry," the epigrammatic "Mood Swing," and "Labyrinth"—are shining examples of Manicks' playing and form a sort of triangular center-piece of this album. The first piece defines the mesmerizing mind behind every composition on this album—the purity and exactitude of intervals, beautifully offset by altered chords, augmented and diminished, making the poetics of each song exquisitely unpredictable. "Mood Swing" is a somewhat extended work that reveals the liquid emotional state of the artist who must constantly reinvent him or herself to keep the voice refreshed, while "Labyrinth," is informed of the puckish sense of play at work in Manricks' mind, even as he carves the air around his horns with thought-provoking artistry.

"Miss Ann" is a triumph as well. Manricks' treatment of Eric Dolphy's fabled tribute is harmonically rich and, unlike, Dolphy's strident rhythmic embrace, Manricks holds "Miss Ann" in a more tender swathe of melody and harmony, allowing only for little altered chords, to create the song's symmetry with a little dissonance. The duo of bassist Joe Martin, and truly inventive drummer Obed Calvaire takes center stage here, as pianist Gary Versace does on "Mood Swing" and "Micro Gravity." Manricks' arrangements for a larger ensemble, that includes trombonist Alan Ferber and trumpeter, Scott Wendholt, on both "Cluster Funk" and "Nucleus," shows the saxophonist to be a sensitive arranger as well, especially as he shows his penchant for earthy colors and timbre.

This is an intriguing, imaginative album and augurs well for future work from this talented musician.

Track Listing: Trigonometry; Cluster Funk; Slippery; Nucleus; Miss Ann; Sketch; Mood Swing; Labyrinth; Combat; Micro Gravity.

Personnel: Jacam Manricks: saxophones; Gary Versace: piano; Joe Martin: bass; Obed Calvaire: drums; Alan Ferber: trombone; Scott Wendholt: trumpet.

Title: Trigonometry | Year Released: 2010 | Record Label: Posi-Tone Records


Tags

comments powered by Disqus

More Articles

Read The Company I Keep CD/LP/Track Review The Company I Keep
by Dan Bilawsky
Published: June 28, 2017
Read Ma De Re Sha CD/LP/Track Review Ma De Re Sha
by Geno Thackara
Published: June 28, 2017
Read Ask Seek Knock CD/LP/Track Review Ask Seek Knock
by Roger Farbey
Published: June 28, 2017
Read Air and Light and Time and Space CD/LP/Track Review Air and Light and Time and Space
by John Eyles
Published: June 28, 2017
Read Eleven Cages CD/LP/Track Review Eleven Cages
by Dan Bilawsky
Published: June 27, 2017
Read Afro-Caribbean Mixtape CD/LP/Track Review Afro-Caribbean Mixtape
by Mark F. Turner
Published: June 27, 2017
Read "682/681" CD/LP/Track Review 682/681
by Karl Ackermann
Published: May 5, 2017
Read "Kansas City Here I Come" CD/LP/Track Review Kansas City Here I Come
by Victor L. Schermer
Published: February 10, 2017
Read "Untitled" CD/LP/Track Review Untitled
by Jack Bowers
Published: October 13, 2016
Read "Parking Lot Symphony" CD/LP/Track Review Parking Lot Symphony
by Geno Thackara
Published: May 3, 2017
Read "Visiting Texture" CD/LP/Track Review Visiting Texture
by John Sharpe
Published: June 20, 2017

Smart Advertising!

Musician? Boost your visibility at All About Jazz and drive traffic to your website with our Premium Profile service.