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Led by pianist Sebastien Paindestre, France's Amnesiac Quartet pays homage to the iconic British band Radiohead with Tribute to Radiohead. The disc is an endearing live set of instrumental renditions of five Radiohead songs, each with extended open space for intense improvising from Paindestre, soprano saxophonist Fabrice Theuillon, bassist Joachim Florent, and drummer Antoine Paganotti.
The opening "Everything in its Right Place" settles into a soothing groove with Paindestre's enveloping Rhodes vamp and Theuillon's mellow rendering of the melody, eerily recalling the timbre and inflection of Radiohead vocalist Thom Yorke. The saxophonist weaves an interesting solo over the building intensity of the rhythm section. The boisterous "Morning Bell" is given a similar adherence to the original; loose yet faithful in spirit. Here, Paindestre's Herbie Hancock-influenced lines are especially poignant over Paganotti's rolling snare drum pattern.
The quartet embraces a somewhat lighter approach with the repetitive minor-key waltz "A Wolf at the Door," featuring a memorable bass solo by Florent and the hauntingly expressive ballad "Sail to the Moon." The latter emphasizes communal expressiveness over individual showmanship. The closing "I Might Be Wrong" lays out a lyrical theme over an ultra-funky bass and drum vamp with Florent's pulsating bass lines high up in the mix. The tune's feel is reminiscent of late 1970s Weather Report with Theuillon revealing a Wayne Shorter influence.
With a tight ensemble sound and exceptional soloing, Amnesiac Quartet maintains the inherent beauty heard in the music of Radiohead while tapping into seemingly unlimited potential for future improvisers interested in unique source material.
Track Listing: Everything in its Right Place; Morning Bell; A Wolf at the Door; Sail to the Moon; I Might Be Wrong.
Personnel: Sebastien Paindestre: keyboard; Joachim Florent: upright bass; Fabrice Theuillon: soprano saxophone; Antoine Paganotti: drums.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...