JazzKamikaze: Travelling at the Speed of Sound

Ian Patterson By

Sign in to view read count
JazzKamikaze: Travelling at the Speed of Sound
If it ain't broke don't fix it. Isn't that what they say? Stagnation is death. Don't they also say that? JazzKamikaze no doubt had those advising it to repeat the formula that worked so successfully on its acclaimed debut, Mission 1 (Stunt Records, 2006). Others probably urged evolution, progress, fresh sounds. The five musicians have opted to plot a flight path right down the middle on Travelling at the Speed of Sound, and they do so in some style.

The music on Travelling at the Speed of Sound broadly follows the pattern of Mission 1—strong compositions, memorable hooks, fierce, imaginative solos from guitarist Daniel Heloy Davidsen and saxophonist Marius Neset, and an incendiary rhythm section. There are also signs of musical growth, and a significant new dimension to the music which will surprise a few.

The opening track, "Gold, Gold, I Want Gold sees tenor man Marius Neset taking a meaty solo somewhat reminiscent of Sonny Rollins. Like the great tenor master, Neset is always searching, never repeats a line and displays a wealth of ideas. Pianist Morten Shantz picks up the baton, his crystalline, lean lines contrasting nicely with Neset's coarser voice. Throughout the album Schantz's playing is largely devoid of obvious jazz influences save, perhaps, for the McCoy Tyner-esque number "Oberst Eger & Oberst Sponz.

For two numbers, the funky "Up to No Good and the bop-ish "Airborne, the quintet is augmented by trumpeter Matt Schulman. Schulman slips effortlessly into the JazzKamikaze groove, his playing confident and adventurous with and without the mute. On the latter tune, double bassist Kristor Brodsgaard and drummer Anton Eger work overtime as the band rotates solos. As on Mission 1, Eger contributes to the songwriting too, with the wonderful composition "Tribute to a Legend.

It is not so much the broadening of its sound with the addition of trumpet that marks the band's evolution, but a significant shift in compositional style which characterizes the Schantz/Davidsen tune "Everest and the Schantz number "Until the Sun Comes. On both numbers the band eschews solos, basing the songs on melody and delightful chord progressions which build to a climax. On the latter tune, the addition of a string section adds luster and a Philip Glass-type gravitas to an already powerful song. On these two numbers JazzKamikaze bridges the sonic gap between Genesis and Radiohead—majestic, epic songs which embed themselves in your mind. JazzKamikaze gives EST a run for its money.

There is a cameo appearance by rapper Big D on the ninety-second "Ten Indian Commandments, a song which sounds like a classic first set closer. Introducing the band members with some panache, he concludes: "Stand up ladies and gentlemen and put your hands together for the JazzKamikaze —a sentiment which will surely be echoed by a great many.

Track Listing

Gold, Gold, I Want Gold; Up to No Good; Airborne; Everest; Ten Indian Commandments; Oberst Eger & Oberst Sponz; Tribute to a Legend; Speedball; Until the Sun Comes.


Morten Schantz: piano; Kristor Brodsgaard: bass; Anton Eger: drums; Marius Neset: tenor saxophone; Daniel Heloy Davidsen: electric guitar; Mat Shulman: trumpet (2,3); Big D: rap (5); Elizabeth Nielsen: violin (9); Hiroko Taguchi: violin (9); Alissa Smith: viola (9); Mairi Dorman-Phaneuf: cello (9).

Album information

Title: Travelling at the Speed of Sound | Year Released: 2007 | Record Label: Stunt Records/Sundance Music

Post a comment about this album


Shop Amazon


Read Live at Vitellos
Live at Vitellos
Michael Wolff
Read This Bitter Earth
This Bitter Earth
Veronica Swift
Read Vegetables
Lina Allemano Four
Read Streams
Yuma Uesaka and Marilyn Crispell

All About Jazz needs your support

All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.