Filipino guitarist/composer Bob Aves is a well-traveled, multitasking artist who delves into a divergent scope of activities. The Berklee School of Music graduate subsequently ventured into film scoring and here fuses Philippine indigenous music with Western jazz.
On Translating The Gongs, Aves blends Indo-jazz with traditional Filipino folk music and mainstream jazz grooves. He's a fluid soloist when performing on his acoustic Octavina guitar, complementing up-front horns and rhythm section. As the title intimates, the music relies heavily on the integration of gongs, which percussionists use in various implementations for multihued rhythmic effects. Nonetheless, Aves' line of attack makes variable harmonic developments amid Grace Nono and Faisal Monal's emphatic vocal chants. Aves does offer genial, indigenous translations and a concise snapshot of counterbalancing styles which coalesce into a wondrously conceived series of works. It's an East meets West mindset, awash with intrigue and endearing melodies.
On "All In A Day, soprano saxophonist Dan Gill generates breezy, up-tempo lines atop a frothy ostinato motif, complemented by Aves' brisk articulation. The sum of the partsthe ensemble's sprightly unison runs, luminous swing vamps and snappy arrangementstranslate into an idiosyncratic presentation. Sure enough, it imparts a lasting impression.
Track Listing: The Outsider; Midnight Sinulog; All In A Day; Dr. Binalig; The Summoner; Crossing Houses; Sa Singkang; Senyor Citizen; A Lighter Shade Of Brass.
Personnel: Bob Aves: Octavina guitar; Grace Nono & Faisal Monal: vocal chants; Dan Gil: soprano & tenor
saxophone; Tony Maigue: flute & piccolo; Roger Llado: trumpet; Joey Quirino: piano; Simon
Tan: acoustic bass; Koko Bermejo: drums; Bo Razon: dabakan drums & assorted percussion;
Mlou Matute & Grace Bugayong: kulintang (8-gong set) & saronay (8-gong set); Karatuan
Kalanduyan: gandingan (4-gong set), agong (2-gong set) & babandir gong.
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!