All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Mike Arroyo, from Vega Baja, Puerto Rico is no ordinary jazz artist. He believes in a higher calling where his devotion to music is secondary to his commitment to his faith. Arroyo is a jazz guitarist who is first and foremost a full-time pastor with an almost religious fervor to spreading the music as well as the Gospel. After his first release, My Jazzy Mood (Self Published, 2006), Arroyo marks his second album as leader celebrating his Transition into the religious arena with an album of musical highlights that touch on Latin, bossa, samba, ballad, and waltz styles of jazz packaged nicely in an eleven-piece disc that's engaging from start to finish. Though some of the tunes have a religious connotation by reference that include "God" in the title, with the exception of a duet with vocalist Millie Larancuente on "El Cuidara de Mi," the music is anything but religiousjust jazzy in every respect.
The album is dedicated to one of Puerto Rico's master guitarists, Maximo Torres, who performs on his own "Recuerdos de Humacao," essentially a light soft ballad featuring Torres delivering crisp delicate guitar lines alongside Arroyo. Except for the Arthur Herzog/Billie Holiday standard "God Bless The Child," which Arroyo performs as a brief solo, the remainder of the repertoire comes from lesser-known composers which, interestingly enough, does not make the music any less entertaining or vibrant. As example of this is Armando Aquino's opening "Street Jam," a percussive and explosive Latin jazz burner inviting sizzling play from trumpeter Michael Rodriguez, pianist Pedro Bermudez, and finally, Ivan Renta on tenor.
Arroyo leads the music in an almost Wes Montgomery style on the expansive "The Whisper of God," sharing the rhythm with Renta on soprano. The music remains in the light mode on "Stay With Us," featuring some of the guitarist's delicate finger picking on the strings. Arroyo expands his musical vocabulary, playing soothing guitar riffs on the perky smooth-style "Hay Una Uncion," featuring the keyboardist on a fine Fender Rhodes dance.
Changing styles once again, Arroyo and band move the music in a steamy direction with a dynamite performance on the Brazilian-flavored "Sambinha de Esperanza," on which Renta tears off an electrifying soprano romp matching the guitarist's hot lines. Along with "God Bless The Child," there are two more delicate solo performances from Arroyo"Verde Luz" and the minute-plus finale of "Trust and Obey." There is a plethora of jazz guitarists producing albums these days but few do so with such passion for the music and a mission to accomplish. Christian musician Arroyo completes another outstanding recording without the benefit of featuring big name jazz artists, performing uncommon material and depending on limited financial resources. Still, despite these negatives, Transitions is an excellent recording sure to be enjoyed by all who are lucky to sample itsomething a man of faith would already know.
Track Listing: Street Jam; The Whisper of God; Stay With Us (Quedate Con Nosotros); God Bless The Child; Hay Una Uncion; His Eye Is On The Sparrow; Sambinha da Esperanza: Verde Luz; Recuerdo de Humacao; El Cuidara de mi; Trust and Obey.
Personnel: Mike Arroyo: electric guitar; Pedro Bermudez: acoustic piano, Fender Rhodes; Ruben Rodriguez: electric bass (1, 2, 5); Ivan Renta: tenor saxophone; Michael Rodriguez: trumpet, chembo cornier congas; Diego Lopez: drums; Greg Jones: electric and acoustic bass (3, 6, 7), Jimmy Rivera: drums(9); Carlos Torres: acoustic bass(9); Millie Larancuente: vocals (10); Maximo Torres: guitar(9).
Year Released: 2009
| Record Label: Self Produced
| Style: Latin/World
Jazz is a creative explosion of individual freedom and communication.
I was first exposed to jazz when I was a kid. My father had a music store.
The best live performance I ever attended was Kenny Garrett in Harlem, New York.
The first jazz record I bought was Saxophone Colossus by Sonny Rollins.
My advice to new listeners is keep listening!