356

Transit: Quadrologues & Nate Wooley: The Seven Storey Mountain

By

Sign in to view read count








Transit
Quadrologues
Clean Feed
2009


Nate Wooley
The Seven Storey Mountain
Important Records
2009


The work of trumpeter Nate Wooley falls into a number of camps: free improvisation, experimental noise or restructuralist post-bop. It would be easy to lump him in with a young trumpeters/ extended techniques setting but Wooley is decidedly an individual. And while brass players tend to elicit an expected bravura, Wooley is very much at home in collective exploratory endeavors as one color in a very broad palette.

Transit is one of the first outfits that Wooley began working in when he arrived in New York from Denver and Quadrologues is the quartet's second disc. Here, Wooley is joined by drummer Jeff Arnal, bassist Reuben Radding and altoist Seth Misterka on ten collective improvisations. While the group structurally hints at a piano-less quartet and attachments to post-Ornette non-chordal bop, such a model couldn't be further from what Transit actualizes. A piece like "Time isn't what you think" explores the cycles of breath, anguished whispers and near shrieks peeling away spatial layers as Misterka's mournful, wide vibrato keen rises out of hums and sighs. Plodding pizzicato and rattling percussion mark intervals and like many of the improvisations here, there's an airy pause that signals the end of the experience, giving one the feeling that a window on activity has shut while the foursome continue onward. That's not to say that there aren't moments of infectious, swinging rhythm—Arnal has a penchant for funky, flitting cross-rhythms that echo John Stevens' Ed Blackwell-ian moments. "Speaking in Tongues" features a soulful, throaty Radding solo interwoven into a light polyrhythm and piercing golden unison.

Seven Storey Mountain is an exploration of (and creation of) environment, which finds Wooley joined by semi-regular partner Paul Lytton on percussion and David Grubbs on harmonium, as well as the inclusion of field recordings made in Jersey City. The landscape as it is initially defined here is restive, ultra-low tones bubbling only slightly to the surface. The nature of their production is unclear, perhaps electronic or a low-tone gong. Metallic breaths and gravelly burble seem assigned to a trumpet or a contact mic, while crinkling footsteps and swaths of air might signal taped Jersey environs. Though extremely subtle, the play of low tones and breaths and the introduction of rattling percussion and Grubbs' droning harmonium enter and recede cyclically: Ten minutes in, electronic and breath palettes become dense as a clear, rolling patter of snare, cymbals and sticks generate an active blueprint toward present, immediate speed. Wooley notes, "My internal rhythm is really, really fast actually. Lytton and I have talked about this a little, because we have very similar at rest tempos, meaning the velocity that we tend to be most relaxed in." In other words, the pensive and subtle cycles at the piece's outset become almost closed-in, allowing environmental self-awareness to move from slow realizations to those of hyper-speed, fierce futurities.


Tracks and Personnel

Quadrologues

Tracks: Strata; Walking on Fire; The Science of Breath; Flip; Rapid Eye Movement; Z Train; Meeting Ground; Time isn't what you think; Speaking in Tongues; Myrtle Avenue Revival.

Personnel: Nate Wooley: trumpet; Seth Misterka: alto saxophone; Reuben Radding: bass; Jeff Arnal: drums.

The Seven Storey Mountain

Tracks: The Seven Storey Mountain.

Personnel: Nate Wooley: trumpet and electronics; Paul Lytton: percussion and electronics; David Grubbs: harmonium.


Tags

comments powered by Disqus

More Articles

Read The Pianist as Director: Ryuichi Sakamoto and August Rosenbaum Multiple Reviews The Pianist as Director: Ryuichi Sakamoto and August...
by Jakob Baekgaard
Published: October 13, 2017
Read A Sense of Place Multiple Reviews A Sense of Place
by Geno Thackara
Published: October 12, 2017
Read David Murray Octets on Black Saint Multiple Reviews David Murray Octets on Black Saint
by Patrick Burnette
Published: October 11, 2017
Read New and Notable Releases Multiple Reviews New and Notable Releases
by Phil Barnes
Published: October 4, 2017
Read Real World Records' Vinyl Reissues Multiple Reviews Real World Records' Vinyl Reissues
by Nenad Georgievski
Published: September 16, 2017
Read The Narell Brothers: Steelpan Music Merchants Multiple Reviews The Narell Brothers: Steelpan Music Merchants
by Nigel Campbell
Published: September 9, 2017
Read "Leonard Cohen and His Legacy" Multiple Reviews Leonard Cohen and His Legacy
by Nenad Georgievski
Published: November 19, 2016
Read "Green Mountain Jazz" Multiple Reviews Green Mountain Jazz
by Doug Collette
Published: July 24, 2017
Read "Sven-Åke Johansson's Blue For A Moment" Multiple Reviews Sven-Åke Johansson's Blue For A Moment
by Mark Corroto
Published: August 2, 2017
Read "Emanem Releases New Music From Late, Great Heroes Lacy And Rutherford" Multiple Reviews Emanem Releases New Music From Late, Great Heroes Lacy And...
by John Eyles
Published: September 8, 2017
Read "Christmas Roundup 2016: Aguankó, Jeff Collins, & Vinnie Zummo" Multiple Reviews Christmas Roundup 2016: Aguankó, Jeff Collins, &...
by Mark Sullivan
Published: November 21, 2016
Read "Emanem Tidies Up" Multiple Reviews Emanem Tidies Up
by John Eyles
Published: December 19, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.