Home » Jazz Articles » Album Review » The University of Northern Iowa Jazz Band One: Transformation

149

The University of Northern Iowa Jazz Band One: Transformation

By

Sign in to view read count
The University of Northern Iowa Jazz Band One: Transformation
Another impressive album (the twelfth in about as many years) by the always well-schooled University of Northern Iowa Jazz Band One, the first under new director Chris Merz who replaced long-time mentor Bob Washut last year. The disc marks that “transformation” while reassuring those who appreciate the ensemble’s work that the tradition of excellence established by Washut is destined to continue under Merz’s baton.

Like Washut, Merz has an adventurous nature, and the charts his students are called upon to master aren’t by any means child’s play, including as they do strenuous reading exams by Jim McNeely, Wayne Shorter, Bob Brookmeyer, Ray Anderson and Michael Mossman. Completing the program are insouciant swingers by Mary Lou Williams (“Scratchin’ in the Gravel”) and Sammy Nestico (“Front Burner”), Duke Ellington’s pre-swing-era “East St. Louis Toodle-oo,” the standards “Lullaby of the Leaves” (recorded in concert) and “Get Happy,” and UNI alum Chris Schmitz’s elaborate opening essay, “Transformation.”

Mossman’s rhythmic “Cubauza” is an homage to the great Cuban trumpeter/composer, Mario Bauza, Shorter’s “Deluge” (arranged by Merz) a torrential outburst of well-shaped big band Jazz. The students definitely earn “Extra Credit” on McNeely’s essay of that name, as they do on Anderson’s capricious “Tapajack” and Brookmeyer’s self-descriptive “Boom Boom.” What strikes one most clearly is the relative ease with which these young musicians come to grips with such daunting material. Merz says the team lost a number of starters this year, but those who replaced them have stepped up to the plate and delivered some resounding blows.

The rhythm section, anchored by drummer Phil Martin and including pianist Jon Kvam and bassist Dan Oline, is especially responsive, while the brass and reeds display admirable coordination and exemplary firepower. Soloists, as is true of most top-level college ensembles these days, are capable if not unique, with Kvam, tenor Jeff Church and trumpeter Caleb Shreves nailing the mark on Francy Boland‘s smart arrangement of “Lullaby,” Shreves and tenor Jeff Guntren doing likewise on “Get Happy.” Shreves, trombonist Nathan Dishman and clarinetist Kyle Novak recreate the original solos on “East St. Louis Toodle-oo.”

Even with a new conductor at the helm, the UNI Jazz Band One continues to strengthen its well-earned reputation for topnotch music-making, and Transformation is easily recommended to those who have already heard the band and those who have not.

Track Listing

Transformation; Cubauza; Scratchin

Personnel

Chris Merz, director; Brandon Lewis, Caleb Shreves, Christian Anderson, Chris Nitzschke, Chris Arnold (5, 6, 11), trumpet, flugelhorn; Nathaniel Gao, alto, soprano sax; Dave Oline, alto, baritone sax, flute; Jeff Church, Jeff Guntren, tenor sax; Kyle Novak, baritone sax, flute; Bill Scheidecker, Nate Dishman, Paul Hovey, Luke Pingel, trombone; Matt Boucher (10), tuba; Bob Dunn (10), banjo; Jon Kvam, piano; Dan Oline, bass; Phil Martin, drums, clav

Album information

Title: Transformation | Year Released: 2004 | Record Label: Sea Breeze Jazz

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Fiesta at Caroga
Afro-Caribbean Jazz Collective
Fellowship
David Gibson
Immense Blue
Olie Brice / Rachel Musson / Mark Sanders

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.