With a fusion of jazz, blues and rock, guitarist Scott Henderson put together a set of his own songs; the lone exception is Jaco Pastorius’ "Continuum." Most of the album features Thelma Houston with a blues trio; Houston wails while Henderson smokes in a contemporary electric blues vein. Most of the guitarist’s career has been based on fusion; leaders with whom Henderson worked early on include Joe Zawinul, Jean-Luc Ponty, and Chick Corea with his Elektrik Band. Complete information on the guitarist may be found at http://www.ejn.it/mus/s_hender.htm . In 1986 Henderson and Gary Willis founded the first edition of Tribal Tech, a fusion band who’s released eight albums since. More information about Tribal Tech may be found at http://home.earthlink.net/~scottkinsey/tribal.htm .
Alongside Henderson’s ferocious guitar and the fluid singing of Houston is the propulsive team of bassist Dave Carpenter and drummer Kirk Covington. The title track is a slow vocal blues with emotional guitar fills and an exciting interlude. The Bo Diddley beat of "Meter Maid" carries the singer’s tale of urban living with a comfortable feeling that makes the background pleasurable and the lyrics understandable. There are places on the album, however, where the lyrics’ meaning may seem offensive to someone who’s never had a serious long-term relationship. The horns only appear on "Dolemite." Carpenter and Covington rip off a genuine "Continuum" with support from Scott Kinsey at the organ and Henderson on acoustic guitar. The up-tempo "Harpoon" pushes the envelope with a syncopated New Orleans shuffle and exciting solos from Henderson & Pat O’Brien. The music is fun, and the artist is quite talented.
Track Listing: Dolemite; Tore Down House; Meter Maid; I Hate You; Gittar School; Xanax; Continuum; You Get Off On Me; Mocha; Harpoon; Same As You.
Personnel: Scott Henderson- guitar; Thelma Houston, Masta Edwards- vocals; Dave Carpenter- electric bass; Kirk Covington- drums; Scott Kinsey- keyboards; Albert Wing- alto sax, tenor sax, flute; Mike Nelson- tenor sax, baritone sax; Dan Fornero, Walt Fowler- trumpet; Eric Jorgenson- trombone; Pat O
I met Erroll Garner at The Theatrical Grill in Cleveland a few hours before our family was to see him on stage at Severance Hall. That was 45 years ago and I was only 15! I spotted him nearby in a booth wearing a beautiful tux with a great white napkin draped over him! I was a little nervous as I approached him (he was eating shrimp cocktail) and said, Mr
I met Erroll Garner at The Theatrical Grill in Cleveland a few hours before our family was to see him on stage at Severance Hall. That was 45 years ago and I was only 15! I spotted him nearby in a booth wearing a beautiful tux with a great white napkin draped over him! I was a little nervous as I approached him (he was eating shrimp cocktail) and said, Mr. Garner, I love playing the piano... is there any advice you could give me?'' He hesitated, then looked back at me and said, Keep playin' and don't stop!'' That was great advice because at 60 years old, I'm still playin' and haven't stopped!