German composer, Dietrich Eichmann’s “Oaksmus” label is rooted within free jazz, avant-garde classical and electronics-based formats. Here, Americans, Jeff Arnal (percussion) and John Hughes (bass) align their wares with German alto saxophonist, Lars Scherzberg for a program consisting of nine free-style opuses that often spur notions of the British free jazz movement.
A graduate of Vermont’s prestigious “Bennington College,” Jeff Arnal has been shedding with New York City-based saxophonist, Blaise Siwula and Baltimore’s fine bassist/composer, F. Vattel Cherry. On this release, the drummer/percussionist anchors the proceedings via his multifarious and discreetly organized rhythmic structures, amid Scherzberg’s jagged statements and microtonal passages. Moreover, the saxophonist incorporates shrieks, half tones, spurts, and upper register honks into the agenda. Thus, Sherzberg tap dances atop the rhythm sections’ often-oscillating flows and intersecting activities.
The trio raises the bar in spots; however, there is not much here that distinguishes this effort apart from the abundance of free-jazz type outings that have been released in droves over the last several years. Taken as a whole, Top Floor Encounter is a relatively solid production despite a lingering sense of invariability that permeates many of these works.
I love jazz because it represents FREEDOM!
I was first exposed to jazz in high school in Flower Mound, TX.
I met Chick Corea after having been a fan for many years!
The best show I ever attended was Chick Corea at Monterey Jazz Festival.
The first jazz record I bought was Herbie Hancock, Chameleon.
My advice to new listeners is keep an open mind!