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The danceable "La Escuela" with its piano montuno and the distinctive clave of the Cuban son is dedicated to La Escuela Nacional de las Artes en Cuba, where Wallace studied in the 1990s.
Wallace shares the spotlight with Jeff and Natalie Cressman, and Dave Martell, in a battle of master trombonists on the guaguancó "Serafina del Caribe." On "Ogguere," Wallace masterfully improvise over a 6/8 groove, a rhythm common in Afro-Caribbean music and similar to the fusion of jazz and Puerto Rican bomba done by trombonist William Cepeda.
Pianist Murray Low shines on "Descarga en Blue" and "Bebo ya llego," a composition honoring Cuban legend Bebo Valdes. Wallace displays a bright, striking sense of melody on his improvisations, especially in the cha-cha-chá "Los Gatos," and in Tito Puente's "Philadelphia Mambo."
To Hear From There also includes a dazzling rendition of Juan Tizol's "Perdido," sung by Kenny Washington - Vocals, and the wonderful soneos and beautiful voice of singer Bobi Cėspedes on the Cuban classic, "The Peanut Vendor."
Track Listing: La Escuela; Serafina del Caribe; Perdido; Los Gatos; Descarga en Blue; Ogguere (Soul of the Earth); Lament; The Peanut Vendor (El Manicero); Yemaya (The Seven Seas); Bebo ya llego!; Philadelphia Mambo.
Personnel: Wayne Wallace: trombone, tuba, vocals; Murray Low: piano, vocals; David Belove: bass, vocals; Paul van Wageningen: trap drums, vocals; Michael Spiro: percussion, vocals; Kenny Washington: vocals (3); Bobi Cespedes: vocals (8); Jeff Cressman: trombone (2); Natalie Cressman: trombone (2); Dave Martell: trombone (2).
Jazz is a creative explosion of individual freedom and communication.
I was first exposed to jazz when I was a kid. My father had a music store.
The best live performance I ever attended was Kenny Garrett in Harlem, New York.
The first jazz record I bought was Saxophone Colossus by Sonny Rollins.
My advice to new listeners is keep listening!