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A piano is not a cornet. That should be obvious, yet both the name of the label, Reference Recordings and statements like this one by pianist Dick Hyman in the notes"As with all of these replicas, I've tried to reproduce Bix' solo exactly."belie that obvious fact. Hyman's reproductions of cornet solos by Bix Beiderbecke lack not only the sounds characteristic of brass wind instruments, but the context of those solos. This is an unaccompanied piano recording; Bix recorded the solos rendered here with mostly small bands playing the New Orleans/Chicago style now termed trad jazz.
Thinking About Bix (Piano Solo) is not a reproduction but a refraction through the prism of Hyman's piano and imagination, providing a fresh setting for music originally performedor in the case of the Bix piano piecescomposed by Bix Beiderbecke. Like similar ventures that take transcribed solos from recordings and orchestrate them (the groups Pres and Bird Feathers, many tribute big band projects), Hyman's renditions here illuminate aspects of both Bix and the bands he worked with that are revelatory, clarifying harmonies and casting melody in a luminous spotlight. But Hyman's most impressive achievement is finding pianistic equivalents for band arrangements that reflect the suave sophistication of Paul Whiteman ("'Tain't So, Honey, 'Tain't So") or peppy, jazz age rhythmic spirit of Bix & His Gang ("Since My Best Gal Turned Me Down").
Only a jazz pianist as completely schooled in both piano technique and jazz piano history could pull off a project like this with the felicity and élan of Hyman. From the wonderful Bix and band interpretations and the four impressionistic piano compositions that make up Bix' "Modern Suite" to the final, rollicking four-hand duet with fellow pianist Mike Lipskin on "You Took Advantage of Me," Hyman imaginatively revives that old slogan: "Bix Lives!."
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com