Home » Jazz Articles » Album Review » Benny Green: These Are Soulful Days

195

Benny Green: These Are Soulful Days

By

Sign in to view read count
Benny Green: These Are Soulful Days
It's hard to believe that it's been over fifteen years now since a young, cherub-faced pianist by the name of Benny Green took the stage with vocal legend Betty Carter and began turning heads. Stints with Art Blakey, Freddie Hubbard, and Ray Brown would follow, along with an active recording career that put several albums under his belt.

With all the pomp and circumstance surrounding Blue Note's 60th anniversary and Benny's own 10 year run on the label, it seemed that a special recorded artifact would have to be produced to mark this occasion. These Are Soulful Days is indeed an atypical gem from the Green catalog. Opting for a drummer-less format that takes its cue from Nat King Cole's classic trio, the pianist is partnered with guitarist Russell Malone and bassist Christian McBride and both take active roles in these musical conversations. Each tune is voiced in a particular fashion, with each player taking turns sharing the lead. Solos are nicely paced too, with Malone almost stealing the show at times with his bent notes and bluesy lines.

It should also be noted that the tunes chosen by Benny have come from a variety of classic Blue Note albums. While the hard bop appeal of Horace Silver's "Come On Home" and Lee Morgan's "Hocus-Pocus" seem to be tailor made for Green's soulful and funky approach, the reflective eloquence displayed on "Summer Nights" reveals that his stylistic bag contains more than just one trick. With Green's past efforts revealing him to be primarily a hard bopper, that cut and really this entire album indicate that he is uncovering new ground and finding himself musically.

Personnel

Album information

Title: These Are Soulful Days | Year Released: 1999 | Record Label: Blue Note Records


< Previous
Third Eye

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.